Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
My Musical Life
My Musical Life by Walter Damrosch: Walter Damrosch's autobiography "My Musical Life" offers a firsthand account of his illustrious career as a conductor, composer, and music educator. Through personal anecdotes and reflections, Damrosch shares his passion for music and the transformative power of the art form. Key Aspects of the Book "My Musical Life": Musical Journey: Damrosch takes readers on a captivating journey through the milestones of his musical career, from his early days as a musician to his rise as a prominent conductor. Encounters with Great Musicians: The book features encounters and collaborations with legendary musicians, providing a glimpse into the world of classical music ...
My Musical Life
Discover the fascinating story of Walter Damrosch in this incredible work. He was an accomplished American musician whose family profoundly influenced New York's music scene. As the son of Leopold Damrosch, who co-founded the New York Oratorio Society and was friends with Liszt and Wagner, Walter had a rich musical upbringing. He later founded the Damrosch Opera Company, which presented renowned operas like The Scarlet Letter and Gotterdammerung. The readers will learn in detail about the enduring legacy of the Damrosch family and their impact on classical music in America.
Symphony in A major
xx + 200 pp.
The Rotarian
Established in 1911, The Rotarian is the official magazine of Rotary International and is circulated worldwide. Each issue contains feature articles, columns, and departments about, or of interest to, Rotarians. Seventeen Nobel Prize winners and 19 Pulitzer Prize winners – from Mahatma Ghandi to Kurt Vonnegut Jr. – have written for the magazine.
Opening Carnegie Hall
Carnegie Hall is recognized worldwide, associated with the heights of artistic achievement and a multitude of famous performers. Yet its beginnings are not so well known. In 1887, a chance encounter on a steamship bound for Europe brought young conductor Walter Damrosch together with millionaire philanthropist Andrew Carnegie and his new wife, Louise. Their subsequent friendship led to the building of this groundbreaking concert space. This book provides the first comprehensive account of the conception and building of Carnegie Hall, which culminated in a five-day opening festival in May 1891, featuring spectacular music, a host of performers and Tchaikovsky as a special guest conductor.
Music Education
This work offers students a complete overview of key writings on music education, from the ancient Greeks to contemporary American thought, with emphasis on writings from the last 100 years. Designed to complement the standard music pedagogy course, the selections range from Plato's Republic through William Billing's writings on Colonial American Music Education through the 2001 advocacy for music education. In five sections, each part of the book is introduced by a brief essay giving an overview of the material covered and information placing it within the critical context of its day. Individual articles are also prefaced with informative headnotes.
The Damrosch Dynasty
Describes the lives of three generations of the Damrosch family and examines their influence on music in the United States.
Living with Liszt
Carl V. Lachmund (1857-1928) was an American pupil of Liszt; he studied with the Hungarian master in Weimar between the years 1882-1884. During that time he kept a diary which eventually ran to some 700 pages. This document gives one of the mo st exhaustive accounts of Liszt's keyboard instruction extant. Some time after World War I, and in response toa demand from a number of musicians with an interest in the matter, Lachmund decided to turn his diary into a book about his daily life with Liszt. In order to gather additional background material about a period now long past, he wrote to more than 200 musicians in America and Europe who had had some personal contact with the composer, and inv...
Selected Correspondence of Charles Ives
This authoritative volume of 453 letters written by and to composer Charles Ives (1874-1954) provides unparalleled insight into one of the most extraordinary and paradoxical careers in American music history. The most comprehensive collection of Ives's correspondence in print, this book opens a direct window on Ives's complex personality and his creative process. Though Ives spent much of his career out of the mainstream of professional music-making, he corresponded with a surprisingly large group of musicians and critics, including John J. Becker, Henry Bellamann, Leonard Bernstein, John Cage, Aaron Copland, Henry Cowell, Ingolf Dahl, Walter Damrosch, Lehman Engel, Clifton J. Furness, Lou Harrison, Bernard Herrmann, John Kirkpatrick, Serge Koussevitzky, John Lomax, Francesco Malipiero, Radiana Pazmor, Paul Rosenfeld, Carl Ruggles, E. Robert Schmitz, Nicolas Slonimsky, and Peter Yates.
Conducting the Brahms Symphonies
How did Brahms conduct his four symphonies? What did he want from other conductors when they performed these works, and to which among them did he give his approval? And crucially, are there any stylistic pointers to these performances in early recordings of the symphonies made in the first half of the twentieth century? For the first time, Christopher Dyment provides a comprehensive and in-depth answer to these important issues. Drawing together thestrands of existing research with extensive new material from a wide range of sources - the views of musicians, contemporary journals, memoirs, biographies and other critical literature - Dyment presents a vivid picture of historic performance pr...
