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A penetrative study of democratic theory and the role of citizens in a democracy, this classic by a two-time Pulitzer Prize-winner offers a prescient view of the media's function in shaping public perceptions.
The biography of an economist whose work as a journalist helped the American public understand the economics of the Great Depression.
Written in the aftermath of World War I, this essay by the Pulitzer Prize–winning journalist remains relevant in its denunciation of media bias, particularly in terms of wartime propaganda.
This book is an introduction to and translation of the 1938 Walter Lippmann Colloquium held in Paris, which became known as the intellectual birthplace of “neo-liberalism.” Although the Lippmann Colloquium has been the subject of significant recent interest, this book makes this crucial primary source available to a wide, English-speaking audience for the first time. The Colloquium features important—often passionate—debates involving well-known intellectual figures such as Walter Lippmann, Louis Rougier, Friedrich Hayek, Ludwig von Mises, Michael Polanyi, Jacques Rueff, Alexander Rüstow and Wilhelm Röpke. Many of the topics addressed at the Colloquium, such as the proper methods of economic intervention, the relationship between the market economy and democracy, and the relationship between economic liberalism and political liberalism are issues that still vie for our attention in the aftermath of the Great Recession.
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In an era disgusted with politicians and the various instruments of "direct democracy," Walter Lippmann's The Phantom Public remains as relevant as ever. It reveals Lippmann at a time when he was most critical of the ills of American democracy. Antipopulist in sentiment, this volume defends elitism as a serious and distinctive intellectual option, one with considerable precursors in the American past. Lippmann's demythologized view of the American system of government resonates today. The Phantom Public discusses the "disenchanted man" who has become disillusioned not only with democracy, but also with reform. According to Lippmann, the average voter is incapable of governance; what is calle...
Walter Lippmann has been widely misrepresented in media and communication scholarship. Classified as a utilitarian and characterized as an antidemocratic adversary of philosopher John Dewey in a legendary debate in the 1920s about the role of the public in modern democracies, Lippmann has been portrayed as the bête noir of the post-1980s revival of pragmatism and humanistic studies within the field. Consequently, his formative contributions to the field have not only been under-valued, but more importantly, the richness and continuing relevance of his generative work to the challenges of the twenty-first century are largely under-appreciated. There are, however, some recent signs of the beg...
After an eloquent and moving analysis of what he sees as the disillusion of themodern age, Lippmann posits as the central dilemma of liberalism its inability to find an appropriate substitute for the older forms of authority-- church, state, class, family, law, custom--that it has denied. Lippmann attempts to find a way out of this chaos through the acceptance of a higher humanism and a way of life inspired by the ideal of "disinterestedness" in all things. In his new introduction to the Transaction edition, John Patrick Diggins marks "A Preface "to "Morals, "originally published in 1929, as a critical turning point in Lippmann's intellectual career. He also provides an excellent discussion of the enduring value of this major twentieth-century work by situating it within the context of other intellectual movements.
Drift and Mastery, originally published in 1914, is one of the most important and influential documents of the Progressive Movement, a valuable text for understanding the political thought of early twentieth-century America. This paperback edition of Walter Lippmann's classic work includes a revised introduction by William E. Leuchtenburg that places the book in its historical and political contexts. In his first book, A Preface to Politics, Lippmann was sharply critical of traditionalism in favor of creativity—so much so that he was accused of anti-intellectualism. In Drift and Mastery, he corrected this imbalance, exploring the tensions between expansion and consolidation, traditionalism...