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Taking as its focus memorials of the First World War in Britain, this book brings a fresh approach to the study of public symbols by exploring how different motives for commemorating the dead were reconciled through the processes of local politics to create a widely valued form of collective expression. It examines how the memorials were produced, what was said about them, how support for them was mobilized and behaviour around them regulated. These memorials were the sites of contested, multiple and ambiguous meanings, yet out of them a united public observance was created. The author argues that this was possible because the interpretation of them as symbols was part of a creative process ...
A Century of Remembrance is a study of one hundred outstanding United Kingdom war memorials which commemorate 20th century conflicts from the Boer War to the Falklands and Gulf wars. The first described is a Boer War memorial unveiled on 5 November 1904, and the last is the Animals in War memorial unveiled in London on 24 November 2004.The memorials chosen are listed as near as possible in chronological order and represent different wars, different artists, different areas of the country, and a variety of types of memorial. In category they range from individual to national memorials and include memorials in schools, churches and places of work, and examples representing communities and the armed services. In form they are from statues and stained glass windows to arches, obelisks and cenotaphs, and from cloisters and chapels to art galleries and gardens and even a carillon.
Poignant monuments to sacrifice, and often significant works of art, war memorials have never been a more valued part of our townscapes. This is the first proper introduction to this fascinating subject.
There were many memorial books published after the Great War, most dedicated to specific colleges, professions or vocations. A number of them are works of art as well as being most informative and they often contain biographical information not readily found elsewhere. Some include all who served and not just those who perished. In most instances a quality photograph of each casualty is included. Almost all these volumes are long out of print and Naval & Military Press plan to republish selected tomes over the next few years. This volume is rather different to the majority in that it covers more than one war memorial. It is a lavishly illustrated book covering the majority of British Public Schools whose pupils made the supreme sacrifice. In this instance it is the memorials, that are in many guises, from plaques to plinths and crosses to chapels, rather than the fallen, which are featured.
"War has been commemorated since ancient times. The recent First World War centenaries are proof that remembering conflict continues to produce strong feelings among people of all walks of life. But how, in the twenty-first century, can we do commemoration better? In particular, how can commemoration contribute to post-war reconciliation and reconstruction? In this book, a global roster of distinguished individuals - poets, an international human rights advocate, musicians, policy-makers, novelists, academics, a sculptor, a world-renowned architect, members of different faiths, composers, a Pulitzer prize-winning journalist and military veterans - debate these questions and ponder the future of commemoration. The book focuses on three modes of commemoration: Textual Commemoration - commemoration in writing and images; Monumental Commemoration - monuments, architecture, museums, sculptures, battlefields and sites of mourning; Aural Commemoration - music, sound and silence. Polemics and reflections together with poetry and creative prose movingly illuminate a subject that is sensitive and sobering but which also speaks to our common humanity"--
This book analyses war monuments by developing a multimodal social-semiotic approach to understand how they communicate as three-dimensional objects. The book provides a practical tool-kit approach to how critical multimodal social semiotics should be done through visual, textual and material analysis. It ties this material analysis into the social and political contexts of production. Using examples across the 20th and 21st century the book's chapters offer a way of analysing the way that monument designers have used specific semiotic choices in terms of things like iconography, objects, shape, form, angularity, height, materials and surface realisation to place representations of war in pu...
War memorials are a feature of Britain's landscape, and part of the fabric of its history as a nation. The Imperial War Museum's National Inventory has sixty thousand war memorials spanning two millennia. This work presents examples that are intended as a tribute to the victims of war and as tangible reminders of significant events.
A collection of colour photographs depicting over 100 war memorials in London with a brief description of each. Includes a map of a walk which covers 23 memorials. Most of the monuments in this book are located in central London but also included are several in the Greater London area and cover a variety of conflicts throughout the centuries.