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Contemporary Yugoslavia
Contemporary Yugoslavia: Twenty Years of Socialist Experiment offers a comprehensive analysis of Yugoslavia's political, economic, and social evolution since World War II. This volume, based on papers presented at a 1965 Stanford University conference, explores pivotal issues such as Yugoslavia's postwar reconstruction, its departure from Stalinist orthodoxy, and the adoption of "national communism." Featuring contributions from leading scholars, the book examines topics like Tito's leadership, the transformation of Yugoslav-Marxist thought, economic decentralization, and the complex nationality problem. The authors highlight Yugoslavia's unique trajectory, blending socialism with capitalist...
The Zemstvo in Russia
The essays in this 1982 volume result from a conference held at Stanford University in 1978, assembled to assess the overall character and significance of the prerevolutionary Russian experiment with the principle and practice of local self-government, the zemstvo, over half of its existence, 1864-1918. The unifying theme of the collection is the rejection of the liberal myth of the zemstvo as an instrument of social integration. The chapters focus on the substantive elements of conflict and tension that existed within the zemstvos, especially between the institutions' two principal groups: the landed gentry, who dominated the zemstvo, and the peasants, who constituted the majority of the population and were intended to the beneficiaries of most of the economic and cultural programs, yet had little part in their formation. Based on the contributors' extensive knowledge of their respective subjects, many of them provide information from previously unpublished materials in Soviet and American archives.
Police Aesthetics
The documents emerging from the secret police archives of the former Soviet bloc have caused scandal after scandal, compromising revered cultural figures and abruptly ending political careers. Police Aesthetics offers a revealing and responsible approach to such materials. Taking advantage of the partial opening of the secret police archives in Russia and Romania, Vatulescu focuses on their most infamous holdings—the personal files—as well as on movies the police sponsored, scripted, or authored. Through the archives, she gains new insights into the writing of literature and raises new questions about the ethics of reading. She shows how police files and films influenced literature and cinema, from autobiographies to novels, from high-culture classics to avant-garde experiments and popular blockbusters. In so doing, she opens a fresh chapter in the heated debate about the relationship between culture and politics in twentieth-century police states.
The Greengrocer and His TV
The 1968 Soviet invasion of Czechoslovakia brought an end to the Prague Spring and its promise of "socialism with a human face." Before the invasion, Czech reformers had made unexpected use of television to advance political and social change. In its aftermath, Communist Party leaders employed the medium to achieve "normalization," pitching television stars against political dissidents in a televised spectacle that defined the times. The Greengrocer and His TV offers a new cultural history of communism from the Prague Spring to the Velvet Revolution that reveals how state-endorsed ideologies were played out on television, particularly through soap opera-like serials. In focusing on the small...
Kosovo
Om slaget ved Solsortesletten i 1389 mellem osmannerne og serberne, om slagets rolle i dannelsen af den serbiske nationale identitet og om hvordan det igennem tiden er blevet fremstillet i nationale myter, kunst og kultur.
Pushkin and Romantic Fashion
Pushkin and Romantic Fashion is about the interpenetration of culture and personality, specifically Alexander I's Russian Empire, a latecomer in post-Napoleonic European history, and Aleksandr Pushkin, virtuoso improvisor yet prisoner of the Golden Age discourses that now bear his name. It focuses on Pushkin's use of the Romantic fragment, especially the link between the fragment and Romantic irony's fundamental and modern questioning of the sources and intentionality of language. In the view of such irony's most eloquent formulator, Friedrich Schlegel, "identity" does not precede speech, but is forged in each improvisational interaction with interlocutor or reader. One finds out who one is ...
A Sacred Space Is Never Empty
When the Bolsheviks set out to build a new world in the wake of the Russian Revolution, they expected religion to die off. Soviet power used a variety of tools--from education to propaganda to terror—to turn its vision of a Communist world without religion into reality. Yet even with its monopoly on ideology and power, the Soviet Communist Party never succeeded in overcoming religion and creating an atheist society. A Sacred Space Is Never Empty presents the first history of Soviet atheism from the 1917 revolution to the dissolution of the Soviet Union in 1991. Drawing on a wealth of archival material and in-depth interviews with those who were on the front lines of Communist ideological c...
The Cambridge History of Turkey
Volume 3 of The Cambridge History of Turkey covers the period from 1603 to 1839.
