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Tracks We Share
Tracks We Share: Contemporary Art of the Pilbara celebrates the Aboriginal artists and artwork of Western Australia's Pilbara region in a landmark exhibition opening 11 March 2022 at The Art Gallery of Western Australia.A collaboration between FORM; The Art Gallery of Western Australia; Aboriginal art centres Cheeditha Art Group, Juluwarlu Art Group, Martumili Artists, Spinifex Hill Studio, and Yinjaa-Barni Art; and independent artists Katie West, Curtis Taylor, and Jill Churnside; Tracks We Share brings together more than 70 artists and over 200 artworks.This extraordinary body of work features the most exciting contemporary art coming out of the region while paying homage to the legacy tha...
Art Gallery of Western Australia
Includes a range of information about exhibitions, artists and events at the Art Gallery of Western Australia. Items produced by or about the Western Australian Art Gallery also in this collection.
Bauhaus on the Swan
"German artist Elise Blumann arrived in Western Australia in 1938, having fled Nazi Germany in 1934. With her husband and two sons, she set up home on the banks of the Swan River and began to paint. Over the next ten years she produced a series of portraits set against the river and the Indian Ocean, and pursued an anlysis of plant forms ... to brilliant effect. In this study Sally Quin traces Blumann's formative student years in Berlin and her first decade in Australia, where the artist reinvented her working method in response to the intense light and colour of the local landscape ... Blumann was a conservative modernist, but the Perth art scene was not prepared for her expressive style, and when she exhibited for the first time in 1944 her art was met with bewilderment. The book considers attitudes to modernism in Perth and the influence on local culture of European refugees and emigrés newly arrived in the city ... Quin establishes Blumann as a significant figure in the story of Australian modernism"--Publisher's description.
Landscape Into Paint
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Wanarn Painters of Place and Time
David Brooks is an anthropologist who has worked with the Ngaanyatjarra people, including the people at Wanarn, for over twenty-five years. He researched and wrote the connection reports through which they gained native title rights over the huge tract of the Australian Western Desert that is their home, and has worked with them on matters from negotiating with mining companies to facing the challenges of making education meaningful to the youth. He has written extensively on the rich desert Tjukurrpa and art, and on the layers of social and cultural interconnectedness of the people. Brooks is an Honorary Research Fellow at the University of Western Australia. Darren Jorgensen lectures in art history in the Faculty of Architecture, Landscape and Visual Arts at the University of Western Australia. He has written on Australian art, especially from the Kimberley and the Ngaanyatjarra Lands, for academic journals, art magazines and newspapers. He also writes on music and science fiction, enjoys surfing badly and drinking whisky well, and lives with his partner and two children in Perth.
Sculpture
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