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In spite of debatable issues, such as metre, we now know enough about classical Hebrew poetry to be able to understand how it was composed. This large-scale manual, rich in detail, exegesis and bibliography, provides guidelines for the analysis and appreciation of Hebrew verse. Topics include oral poetry, metre, parallelism and forms of the strophe and stanza. Sound patterns and imagery are also discussed. A lengthy chapter sets out a whole range of other poetic devices and the book closes with a set of worked examples of Hebrew poetry. Throughout, other ancient Semitic verse has been used for comparison and the principles of modern literary criticism have been applied.
This exhibition catalogue celebrates the life and work of avant garde poet and playwright Wilfred Watson. Drawing on the rich collection of letters, notebooks, manuscripts and sketchbooks in the University of Alberta Archives' Wilfred Watson Fonds, this exhibition traces Watson's development from his early encounters with the work of T.S. Eliot, Dylan Thomas and Emily Carr to his decades-long engagement with the writing of Gabriel Marcel, Wyndham Lewis, and Marshall McLuhan, and from his initial work on stage to his career-changing involvement in the Edmonton theatre community centred on Studio Theatre, Walterdale Theatre and the Yardbird Suite. The archives include a rich correspondence between Wilfred Watson and his wife, Sheila Watson, and many notebook entries describing the two writers' lifelong dialogue.
A collection of re-evaluative essays on Marshall McLuhan and his critical and theoretical legacy; from intellectual adventurer creating a complex architecture of ideas to cultural icon standing in line in Woody Allen's Annie Hall.
Brings together all of the writings of Northrop Frye, both published and unpublished, on the subject of Canadian literature and culture, from his early book reviews of the 1930s and 1940s through his cultural commentaries of the 60s, 70s, and 80s.
The book describes the history of a humble family that migrated from England to Ireland in the mid 17th c and put down roots at Kilconnor in County Carlow. By the end of the century many members of the family had joined the Society of Friends and concurrently the family had elevated its social and economic status as it enjoined with the landed gentry. During the late 17th c and 18th c family members left County Carlow and established themselves in other places in Ireland, including Counties Wexford, Tipperary, Dublin, Kildare, Laois and Offaly and later again in England Australia and New Zealand. Diversification in occupation followed, members entering the legal, military, banking and medica...
In Hot Thespian Action! Robin Whittaker argues that new plays can thrive in amateur theatres, which have freedoms unavailable to professional companies. He proves it with ten relevant, engaging playscripts originally produced by one of Canada's longest-running theatres, Edmonton's acclaimed Walterdale Theatre Associates. This collection challenges notions that amateur theatre is solely a phenomenon of the pre-professional past. Whittaker makes an important contribution to Canadian theatre studies with the first North American anthology in 80 years to collect plays first produced by a nonprofessionalized theatre company.
An examination of the connections between modernist writers and editorial activities, Making Canada New draws links among new and old media, collaborative labour, emergent scholars and scholarships, and digital modernisms. In doing so, the collection reveals that renovating modernisms does not need to depend on the fabrication of completely new modes of scholarship. Rather, it is the repurposing of already existing practices and combining them with others - whether old or new, print or digital - that instigates a process of continuous renewal. Critical to this process of renewal is the intermingling of print and digital research methods and the coordination of more popular modes of literary scholarship with less frequented ones, such as bibliography, textual studies, and editing. Making Canada New tracks the editorial renovation of modernism as a digital phenomenon while speaking to the continued production of print editions.
In Avant-Garde Canadian Literature, Gregory Betts draws attention to the fact that the avant-garde has had a presence in Canada long before the country's literary histories have recognized, and that the radicalism of avant-garde art has been sabotaged by pedestrian terms of engagement by the Canadian media, the public, and the literary critics. This book presents a rich body of evidence to illustrate the extent to which Canadians have been producing avant-garde art since the start of the twentieth century. Betts explores the radical literary ambitions and achievements of three different nodes of avant-garde literary activity: mystical revolutionaries from the 1910s to the 1930s; Surrealists/Automatists from the 1920s to the 1960s; and Canadian Vorticists from the 1920s to the 1970s. Avant-Garde Canadian Literature offers an entrance into the vocabulary of the ongoing and primarily international debate surrounding the idea of avant-gardism, providing readers with a functional vocabulary for discussing some of the most hermetic and yet energetic literature ever produced in this country.
Using five case studies, Linda M. Morra explores the ways in which women's archives have been uniquely approached and shaped by socio-political forces.