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Embracing a Gay Identity
This work presents a psychological analysis of the process of coming out for gay men in America since 1950. Koponen looks at the process as a series of steps in a hero's journey progressing from initial denial and anger to guilt, bargaining, and depression. The stages of acceptance and integration of a gay identity represent the goal of the quest. Providing the common ground on which to analyze the coming out process, Koponen uses gay male relationships portrayed in six important American novels--Falconer by John Cheever, City of the Night by John Rechy, Giovanni's Room by James Baldwin, The Beautiful Room Is Empty by Edmund White, Dancer from the Dance by Andrew Holleran, and Taking Care of Mrs. Carroll by Paul Monette. This book not only is literary study, but also is intended to help gay men reflect on their shared lived experiences. Self-help exercises on identifying and examining the stages of coming out are provided throughout the analysis.
Tap Dancing in the Shed Row
A sweet farm girl leaves abusive parents and then an abusive husband to set herself on a road to success of becoming a jockey. Along the way, she encounters a couple that accept her and her daughter as family, and grows to love a man that must face and stand up to his father. Because of her patience and unique communication with horses, she calms a temperamental colt and gains his confidence to win the English Grand National aboard him and learns how to pace a special filly enroute to a winning ride in the Kentucky Derby.
Maidin Iron
"Maidin Iron" is the true story of the first woman to work as a union ironworker in New Mexico in the 1970s and 1980s. Ana Padilla tells of her struggle and ultimate success in breaking into this male-dominated trade, confronting union bosses, supervisors, and coworkers. Many thought that a woman couldn't handle the tough and dangerous job of being an ironworker, welding and bolting steel frames of multistory buildings. One false step could lead to sudden death. This scrappy young woman used humor, courage, good manners, and a strong work ethic to make her case that she could do everything just as well as her male coworkers. Although small of stature, she proved herself over and over again, ...
Pueblo Indian Wisdom
A collection of stories passed down orally for generations, reflecting the customs and traditional beliefs of the Pueblo people.
Sex and Spirit
"Explore new perspectives in gay men's spirituality! Coming out, Zen, sexuality, shamanism, ecology, HIV--whatever is part of gay life is explored in this dynamic collection of essays by some of our most respected spokesmen"--Page 4 of cover.
James Baldwin's Later Fiction
James Baldwin’s Later Fiction examines the decline of Baldwin’s reputation after the middle 1960s, his tepid reception in mainstream and academic venues, and the ways in which critics have often mis-represented and undervalued his work. Scott develops readings of Tell Me How Long the Train’s Been Gone, If Beale Street Could Talk, and Just Above My Head that explore the interconnected themes in Baldwin’s work: the role of the family in sustaining the arts, the price of success in American society, and the struggle of black artists to change the ways that race, sex, and masculinity are represented in American culture. Scott argues that Baldwin’s later writing crosses the cultural divide between the 1950s and 1960s in response to the civil rights and black power movements. Baldwin’s earlier works, his political activism and sexual politics, and traditions of African American autobiography and fiction all play prominent roles in Scott’s analysis.
Landing on the Wrong Note
An imaginative and passionate synthesis of form and function, Landing on the Wrong NOte goes beyond mainstream jazz criticism, outlining a new poetics of jazz that emerges not from the ivory tower but from the clubs, performances, and lives of today's jazz musicians.
Modernism, Metaphysics, and Sexuality
Without question, modernist texts have been haunted by what can be known, or more aptly, what cannot be known. This position is foundational to one of the pivotal readings of modernism. Simultaneously, economic, legal, and political shifts that occurred during the late nineteenth and early twentieth centuries produced real material changes pertaining to the status of women. Thus, as many others have adeptly argued, modernism is also a crisis in gender. Modernism, Metaphysics, and Sexuality keenly suggests that these narratives - the thinking of what constitutes truth and the rethinking of gender - are intertwined. Interpreting Conrad's Heart of Darkness and Victory, Forster's A Passage to India and Maurice, Lawrence's Women in Love, and Woolf's A Room of One's Own and To the Lighthouse through Luce Irigaray's rereading of western metaphysics, Raschke suggests that where there is a crisis in knowing, there is also a crisis in gender.
