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Johann Gottfried Herder (1744-1803) was an influential German critic and philosopher, whose ideas included "cultural nationalism" - that every nation has its own personality and pattern of growth. This anthology contains excerpts from Herder's writings on world history and related topics.
New, specially commissioned essays providing an in-depth scholarly introduction to the great thinker of the European Enlightenment. Johann Gottfried Herder (1744-1803) is one of the great names of the classical age of German literature. One of the last universalists, he wrote on aesthetics, literary history and theory, historiography, anthropology, psychology, education, and theology; translated and adapted poetry from ancient Greek, English, Italian, even from Persian and Arabic; collected folk songs from around the world; and pioneered a better understanding of non-European cultures.A student of Kant's, he became Goethe's mentor in Strasbourg, and was a mastermind of the Sturm und Drang an...
Realpoetik considers the relationship between literary and political ideas in the thought of key European writers of the Romantic period examining how the main historical events of the period encouraged a re-imagining of the political shape of Europe which also changed the way we think about imagination itself.
First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
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Through a close reading of novels by Ulrike Kolb, Irmtraud Morgner, Emine Sevgi Özdamar, Bernhard Schlink, Peter Schneider, and Uwe Timm, this book traces the cultural memory of the 1960s student movement in German fiction, revealing layers of remembering and forgetting that go beyond conventional boundaries of time and space. These novels engage this contestation by constructing a palimpsest of memories that reshape readers’ understanding of the 1960s with respect to the end of the Cold War, the legacy of the Third Reich, and the Holocaust. Topographically, these novels refute assertions that East Germans were isolated from the political upheaval that took place in the late 1960s and 1970s. Through their aesthetic appropriations and subversions, these multicultural contributions challenge conventional understandings of German identity and at the same time lay down claims of belonging within a German society that is more openly diverse than ever before.
Reappraisals is a provocative account of the development of modern critical theory in Germany and the United States. Focusing on the period since World War II, Peter Uwe Hohendahl explores key debates on the function of critical theory, illuminating the diverse positions and alliances among the participants. Bringing together six essays, as well as new introductory and concluding chapters, Hohendahl interprets and subjects to critical scrutiny many of the central ideas of the Frankfurt School. He first maps the trajectory of neomarxist criticism in Germany to the 1980s. Individual chapters then focus on the work of Georg Lukacs, Theodor W. Adorno, and Jürgen Habermas, and on such issues as the politicization of German criticism after 1965 under the influence of the Frankfurt School.
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