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The Anecdote in Mark, the Classical World and the Rabbis
This major study of a Markan genre, represented in the central section 8.27-10.4, ranges through Greek, rabbinic and early Christian literature, providing detailed comparison with the anecdotes in Lucian's Demonax and the Mishnah.Moeser concludes that the Markan anecdotes clearly follow the definition of, and typologies for, the Greek chreia. His analysis indicates that while the content of the three sets of anecdotes is peculiar to its respective cultural setting, the Greek, Jewish and Christian examples all function according to the purposes of the genre.
Martyred for the Church
In this study, Justin Buol analyzes the writings connected with the deaths of Ignatius of Antioch, Polycarp of Smyrna, and Pothinus of Lyons in light of earlier accounts of the noble deaths of military, political, and religious leaders from Greco-Roman literature and the Bible, which record benefits accruing to a group on account of its leader's death. The author argues that the accounts of these three bishops' martyrdoms draw upon those prior models in order to portray the bishops as dying to unite, protect, and strengthen the Church, oppose false teaching and apostasy, and solidify the teaching role of the episcopal office. Finally, by providing a foundation for Irenaeus to argue for apostolic succession, these second-century bishop martyrs also help form a lasting contribution to the growth of episcopal power.
Perception and Experience in Modernity
The first volume of Benjamin Studies publishes the keynote lectures of the first Congress of the International Walter Benjamin Association, which took place in Amsterdam, July 1997. Its title bears witness to the most central concepts of Benjamin’s philosophy of culture. Strongly influenced as he was by Kant, Benjamin never lost his inclination to analyse the components of reality as fashioned by ourselves. Because he was also a materialist, for him the modes of fashioning were shaped in turn by the times and places we occupy in history. As a consequence, Benjamin’s theory assigns a pivotal role in the interaction between the world and its inhabitants to the media: language with its plet...
Sacred Text
This book, which gathers seventeen contributions, investigates some lexical and textual aspects in the 'sacred texts' - like the Bible in its several textual traditions, and the Qur'ān -, particulary those elements that serve to provide the textual structure with a lexical-semantic framework. These contributions have been focused on several linguistic aspects: etymologies, loanwords, the symbolic or figurative values of the terms used in the text, the syntagmatic potential of the words, and the literary reflection of the terms like the basic reading of the text and its subsequent comprehension.
The Designed Myth
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The Classical Review
This companion to the Classical Quarterly contains reviews of new work dealing with the literatures and civilizations of ancient Greece and Rome. Over 300 books are reviewed each year.
Staging Philosophy
The fifteen original essays in Staging Philosophy make useful connections between the discipline of philosophy and the fields of theater and performance and use these insights to develop new theories about theater. Each of the contributors—leading scholars in the fields of performance and philosophy—breaks new ground, presents new arguments, and offers new theories that will pave the way for future scholarship. Staging Philosophy raises issues of critical importance by providing case studies of various philosophical movements and schools of thought, including aesthetics, analytic philosophy, phenomenology, deconstruction, critical realism, and cognitive science. The essays, which are org...
Towards an Aisthetics of the Victorian Novel
Towards an Aisthetics of the Victorian Novel: Senses and Sensations establishes a new analytical method in the broader context of sensory studies in order to explain how the genre of the novel can impact on our perception of ourselves and our social contexts. Taking cultural literary studies ahead, the book re-integrates aesthetics – a much fraught concept in cultural studies that long favoured ‘popular’ over ‘high culture’ – into cultural studies as aisthetics in the word’s root sense of ‘perception’. Zooming in on period shifts and changes in taste spanning realism, sensation fiction and aestheticism, aisthetics reveals how these shifts also pertain to new ways of perceiving in selected novels by George Eliot, Wilkie Collins and Vernon Lee. Connecting Victorian and current literary theories, aisthetics helps explore the way in which the novel can shape the way we perceive the world, what remains excluded from the realm of the perceivable and how our conduct is consequently always also influenced by the dominant genres of our time.
American Journal of Philology
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