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Truth in Publishing
The Newspaper Publicity Act, passed in 1912, is still in effect and requires commercial newspapers and magazines using the preferential second-class mail rate to identify their owners and investors and to label advertisements that resemble news stories or editorials. These publications are also required to disclose circulation data along with their ownership statements. In part 1, Linda Lawson documents the press's inner workings, including its excesses and abuses, as it evolved from a collection of small businesses in the mid-1800s to an established commercial institution of the twentieth century. Large, urban newspapers challenged small, rural papers at the same time burgeoning popular magazines and trade journals competed fiercely with every other type of publication for advertisers and readers. The regulatory actions brought about by these divisions within the industry are treated in part 2.
Ireland
A sweeping survey of the arts of Ireland spanning 150 years and an astonishing range of artists and media This groundbreaking book captures a period in Ireland's history when countless foreign architects, artisans, and artists worked side by side with their native counterparts. Nearly all of the works within this remarkable volume--many of them never published before--have been drawn from North American collections. This catalogue accompanies the first exhibition to celebrate the Irish as artists, collectors, and patrons over 150 years of Ireland's sometimes turbulent history. Featuring the work of a wide range of artists--known and unknown--and a diverse array of media, the catalogue also i...
Neglected Genius
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Catalogue of the Ancient and Modern Paintings and Other Objects of Art, Collected by the Late William M. Laffan
Excerpt from Catalogue of the Ancient and Modern Paintings and Other Objects of Art, Collected by the Late William M. Laffan: To Be Sold at Unrestricted Public Sale U connoisseur of pictures and porcelains. His knowledge wus profound and catholic, and he was naturally endowed With the sixth scnsc of the collector, an intuition which sccql him in the delicate task of selection and attribution. Hc gathered his art trcusurcs primarily to gratify his personal predilections, and not with the purpose of selling them. His instinctive tact and wide experience corned for him an intcr national reputation. Little wonder that his judgments wcrc sought for, tlcfcrrul to, and in the majority of cases were...
William and Henry Walters, the Reticent Collectors
Surprisingly, the story of how William Walters and his son Henry created one of the finest privately assembled museums in the United States has not been told."--BOOK JACKET.
Irish Architectural and Decorative Studies
This annual publication is illustrated with monochrome and colour maps, plans, drawings and photographs of the buildings discussed. The articles cover a range of topics from 18th-century Ireland.
Catalogue of the Ancient and Modern Paintings and Other Objects of Art Collected by the Late William M. Laffan
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
