Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Cultures of His Kingdom
A study of the well known medieval royal chapel, constructed by Roger II, king of Sicily in the mid-twelfth century.
The Oliphant
This book discusses a group of medieval carved ivory horns, namely oliphants. It draws upon medieval visual as well as literary sources both Arabic and Latin, with an eye to providing an original interpretation of these objects. In doing so, it breaks new ground in the understanding of both oliphants and the historical context of medieval artefacts in general.
The Fragment
The universe may well have begun with an immense act of fragmentation, "the big bang," that sent particles flying in all directions to perform spectacular acts of creation and destruction. The fragment, volatile and unpredictable, is not simply the static part of a once-whole thing but itself something in motion. Drawing upon art history, archaeology, literature, numismatics, philosophy, and film, this book explores the significance of the fragment and addresses the powerful drives that have impelled it into the cultural mainstream. Book jacket.
Intellectual Life at the Court of Frederick II Hohenstaufen
This text is an assessment of artistic, literary and scientific culture during the reign of an influential and enigmatic medieval ruler, Frederick II Hohenstaufen.
St. Peter's in the Vatican
This volume presents an overview of St. Peter's history from the late antique period to the twentieth century.
From Judgment to Passion
How and why did the images of the crucified Christ and his grieving mother achieve such prominence, inspiring unparalleled religious creativity as well such imitative extremes as celibacy and self-flagellation? To answer this question, Fulton ranges over developments in liturgical performance, private prayer, doctrine, and art.
Arabic Script on Christian Kings
Isabelle Dolezalek wurde für Ihre Arbeit mit dem 2018 ICMA Annual Book Prize des International Center of Medieval Art ausgezeichnet. Auf zahlreichen mittelalterlichen Objekten finden sich arabische Inschriften. Nur wenige davon wurden jedoch für lateinisch-christliche Auftraggeber produziert. Die normannischen und staufischen Königsgewänder aus Sizilien bilden eine bemerkenswerte Ausnahme. Welche Assoziationen sollte der Gebrauch arabischer Textilinschriften bei den zeitgenössischen Betrachtern im 12. und 13. Jahrhundert hervorrufen? Wie wurden die Inschriften in späteren Zeiten rezipiert? Die transkulturell und interdisziplinär ausgerichtete Studie beleuchtet praktische und politische Entscheidungen, die der Produktion der sizilischen Textilinschriften zugrunde liegen, und lenkt so das Augenmerk auf ein Ornament, das konventionelle kulturelle Grenzen nicht nur überschreitet, sondern grundlegend in Frage stellt.
Interaction Between Judaism and Christianity in History, Religion, Art, and Literature
This volume contains essays dealing with complex relationships between Judaism and Christianity, taking a bold step, assuming that no historical period can be excluded from the interactive process between Judaism and Christianity, conscious or unconscious, as either rejection or appropriation
The Bone Gatherers
The bone gatherers found in the annals and legends of the early Roman Catholic Church were women who collected the bodies of martyred saints to give them a proper burial. They have come down to us as deeply resonant symbols of grief: from the women who anointed Jesus's crucified body in the gospels to the Pietà, we are accustomed to thinking of women as natural mourners, caring for the body in all its fragility and expressing our deepest sorrow. But to think of women bone gatherers merely as mourners of the dead is to limit their capacity to stand for something more significant. In fact, Denzey argues that the bone gatherers are the mythic counterparts of historical women of substance and m...
Old Saint Peter's, Rome
St Peter's Basilica in Rome is arguably the most important church in Western Christendom, and is among the most significant buildings anywhere in the world. However, the church that is visible today is a youthful upstart, only four hundred years old compared to the twelve-hundred-year-old church whose site it occupies. A very small proportion of the original is now extant, entirely covered over by the new basilica, but enough survives to make reconstruction of the first St Peter's possible and much new evidence has been uncovered in the past thirty years. This is the first full study of the older church, from its late antique construction to Renaissance destruction, in its historical context. An international team of historians, art historians, archaeologists and liturgists explores aspects of the basilica's history, from its physical fabric to the activities that took place within its walls and its relationship with the city of Rome.
