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"Translations from Chinese popular literature of the late-imperial and early republican periods are still very rare, and selections that are devoted to a specific genre or dialect rarer still. These translations of traditional Hakka popular literature are not only a contribution to a broader knowledge of traditional Chinese folk literature, but also contribute to the study of Hakka culture as reflected in these racy songs and exciting narratives. This book is the first extensive selection in English of traditional Hakka mountain songs (shange) and long narrative ballads in various genres. One chapter is devoted to songs and ballads on Hakka migration to Taiwan and Southeast Asia in 18th to 20th centuries. The selection of mountain songs is primarily based on a collection compiled before 1949. The ballads selected focus on texts that were widely popular in late-Qing and early Republican times, but post-Liberation performances and new compositions have been included for contrast. All translations are provided with an introduction and annotations."--
This volume brings together a number of important studies by leading scholars on ritual and law, philosophy and religion, literature and entertainments in Qin and Han China. A few contributions deal with the Han legacy to later Chinese culture.
Approaching its demise, the Ming imperial administration enlisted members of the Cheng family as mercenaries to help in the defense of the coastal waters of Fukien. Under the leadership of Cheng Chih-lung, also known as Nicolas Iquan, and with the help of the local gentry, these mercenaries became the backbone of the empire’s maritime defense and the protectors of Chinese commercial interests in the East and South China Seas. The fall of the Ming allowed Cheng Ch’eng-kung—alias Coxinga—and his sons to create a short-lived but independent seaborne regime in China’s southeastern coastal provinces that competed fiercely, if only briefly, with Spanish, Portuguese, Dutch and English merchants during the early stages of globalization.
This is a study of the world of carpenters and joiners, discussing both the technical and the ritual and religious aspects of building. The heart of the book is an annotated translation of the fifteenth-century carpenter's manual Lu Ban jing. Numerous illustrations further enhance the value of this book.
"One of the most exciting recent developments in the study of Chinese literature has been the rediscovery of an extremely rich and diverse tradition of women’s writing of the imperial period (221 B.C.E.–1911 C.E.). Many of these writings are of considerable literary quality. Others provide us with moving insights into the lives and feelings of a surprisingly diverse group of women living in Confucian China, a society that perhaps more than any other is known for its patriarchal tradition. Because of the burgeoning interest in the study of both premodern and modern women in China, several scholarly books, articles, and even anthologies of women’s poetry have been published in the last two decades. This anthology differs from previous works by offering a glimpse of women’s writings not only in poetry but in other genres as well, including essays and letters, drama, religious writing, and narrative fiction. The authors have presented the selections within their respective biographical and historical contexts. This comprehensive approach helps to clarify traditional Chinese ideas on the nature and function of literature as well as on the role of the woman writer."
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The disappearance of China’s naturally occurring forests is one of the most significant environmental shifts in the country’s history, one often blamed on imperial demand for lumber. China’s early modern forest history is typically viewed as a centuries-long process of environmental decline, culminating in a nineteenth-century social and ecological crisis. Pushing back against this narrative of deforestation, Ian Miller charts the rise of timber plantations between about 1000 and 1700, when natural forests were replaced with anthropogenic ones. Miller demonstrates that this form of forest management generally rested on private ownership under relatively distant state oversight and taxa...
Die Autoren dieses Bandes beschäftigen sich mit drei philologischen Problemkreisen: Der Universalisierung des Wissenstransfers und der Aufhebung ursprünglich nationaler Konzepte der Philologien, mit den sich daraus ergebenden Schwierigkeiten und Verwerfungen, welche die gegenwärtigen Diskussionen bestimmten und den Bedingungen und Möglichkeiten einer transdisziplinären Kulturwissenschaft.