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a dirty hand
From "a dirty hand": Words are very powerful. You aren't sure of that? Think of all the things you won't say. Wonderful remark in a note I had this week from William Carlos Williams. He spoke of the "disease" of wanting to write poetry; said he had been "off" poetry for many months and—he said—"I feel clean and unhappy." One reason for keeping this kind of notebook: you can put on record the retort you couldn't think of at last night's party. Photographs of Henry James in his middle years should be commented upon. Gone is the shy aesthete of the youthful portrait (by LaFarge?) . This bearded man has a fierce look, even a bestial one. Here is perhaps-I don't know-James at his most generat...
Wartime
Winner of both the National Book Award for Arts and Letters and the National Book Critics Circle Award for Criticism, Paul Fussell's The Great War and Modern Memory was one of the most original and gripping volumes ever written about the First World War. Frank Kermode, in The New York Times Book Review, hailed it as "an important contribution to our understanding of how we came to make World War I part of our minds," and Lionel Trilling called it simply "one of the most deeply moving books I have read in a long time." In its panaramic scope and poetic intensity, it illuminated a war that changed a generation and revolutionized the way we see the world. Now, in Wartime, Fussell turns to the S...
Something to Say
Something to Say: William Carlos Williams on Younger Poets collects all of Williams' known writings--reviews, essays, introductions, and letters to the editor--on the two generations of poets that followed him, from Kenneth Rexroth and Louis Zukofsky to Robert Lowell and Allen Ginsberg. What might have been a random collection of occasional pieces achieves remarkable coherence from the singleness of Williams' poetic vision: his belief that the secret spirit of ritual, of poetry, was trapped in restrictive molds, and, if these could be broken, the spirit would be able to live again in a new, contemporary form. Only a revived clarity and accuracy in sight and expression would enable the modern...
In Company
This collection brings together for the first time three generations of poets associated with New Mexico, representing a variety of styles and personalities. The first group--beginning with the distinguished East Coast emigre to Santa Fe Witter Bynner and ending with the New Mexico-born MacArthur fellow Jay Wright--came into their maturities by the 1960s. This era's distinguished roster includes such figures as Charles Tomlinson, Robert Creeley, Nathaniel Tarn, and Simon Ortiz. The second group, including nationally known figures like Joy Harjo, Jimmy Santiago Baca, N. Scott Momaday, and Arthur Sze, became famous in the 1970s and 1980s. The third group, dating mostly to the 1990s, includes some writers familiar only to audiences who frequent coffee houses and poetry slams, as well as authors whose names are familiar both nationally and regionally, among them Demetria Martinez and Kate Horsley. V. B. Price is general editor of the Mary Burritt Christiansen Poetry series. All three editors of In Company are poets.
A Heritage of Hypocrisy
In the dark says since the attack on the World Trade Center, the question that many Americans have asked is: Why? Why do 'they' hate us as they do? Is it, as our leaders would have us believe, because they hate our freedom? To understand what others find objectionable in us, we must take a long and brutally honest view of how we act, versus what we like to say about ourselves. The facts, as this book demonstrates, are incontrovertible: Our history is an unbroken progression of atrocities, betrayals of trust, and abuses of the rule of law, both to our global neighbors as well as our own citizens. Since the arrival of the first settlers, we have cheated and swindled, committed the most sweepin...
Twenty Teachers
Interviews with elementary school, high school, prep school, and university teachers document their approaches to teaching.
Thornton Wilder
Thornton Wilder had a gift for framing random and ordinary moments of life, an effect he perfected for his audiences. This volume gathers together some of the most respected criticism on the author's work. Examined texts include Our Town and The
William Carlos Williams
William Carlos Williams (1883-1963). Writings include: Poems, Spring and All, Paterson. Volume covers the period 1909-1967.
