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The Nibelungen Tradition
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
The Theater of Heiner Mller
The revised and enlarged edition of the first comprehensive English-language study of the work of Heiner Muller, widely regarded as Bertolt Brecht's spiritual heir and as one of the most important German playwrights of the twentieth century. "Kalb's quest to try and penetrate some of the surfaces of what he calls this 'glacially infuriating writer' is engrossing, and he negotiates his own ambivalences and reservations about Muller as theatre-maker and man with both honesty and adroitness...As a piece of scholarship [this] is a breathtaking tour de force." -Mary Luckhurst, New Theatre Quarterly
Disability in German Literature, Film, and Theater
Established, commissioned, and edited by the Department of German at the University of Edinburgh, Edinburgh German Yearbook encourages and disseminates lively and open discussion of themes pertinent to German Studies. No other yearbook covers the entire field while addressing a focused theme in each issue. Volume 4 focuses on disability in German literature, film, and theater. Disability Studies is part of the broader discussion of difference and "otherness," of the politics of identity, human rights, ethics, and discrimination. It retrieves disabled figures from literature, film, and theater and discusses them vis- -vis "normalcy." Recently, Disability Studies has explored the binary of "ab...
String Quartets
This research guide is an annotated bibliography of sources dealing with the string quartet. This second edition is organized as in the original publication (chapters for general references, histories, individual composers, aspects of performance, facsimiles and critical editions, and miscellaneous topics) and has been updated to cover research since publication of the first edition. Listings in the previous volume have been updated to reflect the burgeoning interest in this genre (social aspects, newly issued critical editions, doctoral dissertations). It also offers commentary on online links, databases, and references.
Bertolt Brecht
First published in 1980, this collection of fifteen original essays touches on a variety of topics related to the genesis of Brecht's works and their impact on contemporary literature, theater, and film. Discussed are Brecht's confrontation with Marxism and its political manifestations, the influence of his work on film and theater practitioners, the uses his literary descendants have made of his political commitment, and much more.
Myth and Modernity
In interpreting its own age art often turns to the past. At the beginning of the twentieth century one of these encounters between present and past was prompted by the interest a major figure in German modernism, the sculptor Ernst Barlach, came to take in the medieval epic The Song of the Nibelungen. There exists no statement by Barlach to explain what prompted his interest and the resulting sequence of large drawings on the epic’s climactic final segment, reproduced here. In conception and execution these drawings stand out in Barlach’s graphic oeuvre, as they stand apart from the multitude of interpretations the Nibelungen inspired in art, literature, and music. This book discusses the epic and its course through German history, the artist’s biography and the course of his work, as well as the place the drawings occupy in the art, culture, and politics of Germany in the 1920s and 30s and beyond to the ideological and political crises of Central Europe before and after the First World War.
Classics in Post-Colonial Worlds
Classical material was traditionally used to express colonial authority, but it was also appropriated by imperial subjects to become first a means of challenging colonialism and then a rich field for creating cultural identities that blend the old and the new. Nobel prize-winners such as Derek Walcott and Seamus Heaney have rewritten classical material in their own cultural idioms while public sculpture in southern Africa draws on Greek and Roman motifs to represent histories of African resistance and liberation. These developments are explored in this collection of essays by international scholars, who debate the relationship between the culture of Greece and Rome and the changes that have followed the end of colonial empires.
Shell Shock Cinema
'Shell Shock Cinema' shows how classical German cinema of the Weimar Republic was haunted by the horrors of World War I & the trauma of Germany's humiliating defeat. Anton Kaes argues that even films which do not depict war reveal a wounded nation in post-traumatic shock.
