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In Egypt, from the Old to the New Kingdom, enigmatic texts were created on the basis of non-standardized lists of characters and phonetic signs, the exact principles of which are still unclear to this day. For the first time, this study examines in detail the three most comprehensive known inscription texts from the New Kingdom, which were discovered in the tombs of Tutenchamun, Ramses VI and Ramses IX. Darnell shows that these three texts have a theological, iconographic and formal connection, and calls them collectively the "Book of the Solar-Osirian Unity". Differentiated and lively, he presents the content and theological peculiarities of these texts that deal with the afterlife with each other and in relation to other enigmatic texts of the new as well as the Middle and Old Kingdom.
Ancient cultures have left written evidence of a variety of scientific texts. But how can/should they be translated? Is it possible to use modern concepts (and terminology) in their translation and which consequences result from this practice? Scholars of various disciplines discuss the practice of translating ancient scientific texts and present examples of these texts and their translations.
Medicine, astronomy, dealing with numbers ‐ even the cultures of the “pre-modern” world offer a rich spectrum of scientific texts. But how are they best translated? Is it sufficient to translate the sources into modern scientific language, and thereby, above all, to identify their deficits? Or would it be better to adopt the perspective of the sources themselves, strange as they are, only for them not to be properly understood by modern readers? Renowned representatives of various disciplines and traditions present a controversial and constructive discussion of these problems.
"In The Representations of Women in the Middle Kingdom Tombs of Officials Lubica Hudáková offers an in-depth analysis of female iconography in the decorative programme of Middle Kingdom non-royal tombs, highlighting changes and innovations in comparison to the Old Kingdom. Previously considered too uniform, the study represents the first systematic investigation of two-dimensional images of women and reveals their variability in space and time. Hudáková examines the roles appointed to women by analyzing how they are depicted in a variety of contexts. Taking into account their postures, gestures, garments, hairstyles, size of the body, age as well as attributes and tools used by them, along with the scene orientation, she traces diachronic and diatopic developments and regional traditions in the Middle Kingdom tomb decoration"--
This unique, comprehensive work tackles questions posed by the polemics of the Church Fathers against the Roman theater and explores the subsequent developments of Western liturgical drama as a continuation of the Roman theater up to the time of Amalarius of Metz in the ninth century.
Contains six previously published titles brought together in a single volume.
This volume gathers together a broad spectrum of evaluations of the soul from different perspectives, including artistic (from literature and the arts), mystic and theological reflections on spirituality from the Christian religion, as well as from the Orient and Ancient Egypt. The contributions in this book will afford the reader a wider perspective on the concept of the soul in its ethical, emotional and theological dimensions, in both European and Non-European cultures and languages, and in artistic, philosophical and religious texts.
This volume deals with the development and the characteristics of the literature of Ancient Egypt over a period of more than two millennia, from the monumental origins of autobiography at the end of the Old Kingdom (ca. 2150 BCE) down to the latest literary compositions in Demotic during the Graeco-Roman period (300 BCE-200 CE). This book, the result of an international co-operation among more than twenty scholars, is divided into sections devoted to the definition of literary discourse in Ancient Egypt; the history and genres of these texts, their linguistic and stylistic features; and the image of Ancient Egypt as displayed in later literary traditions of the Mediterranean world - Greek, Coptic, Arabic. With over thirty chapters, this volume provides an interdisciplinary account of current research in one of the methodologically most advanced fields of Egyptology.
This volume brings together thirteen studies by as many experts in the study of one or more ancient or medieval magical traditions, from ancient Mesopotamia and Pharaonic and Greco-Roman Egypt to the Greek world, Judaism, Christianity and Islam. It lays special emphasis on the recurrence of similar phenomena in magical texts as far apart as the Akkadian cuneiform tablets and an Arabic manuscript bought in Egypt in the late-twentieth century. Such similarities demonstrate to what extent many different cultures share a “magical logic” which is strikingly identical, and in particular they show the recurrence of certain phenomena when magical practices are transmitted in written form and often preserve, adopt and adapt much older textual units.