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The Ethics of Cultural Appropriation
The Ethics of Cultural Appropriation undertakes a comprehensive and systematic investigation of the moral and aesthetic questions that arise from the practice of cultural appropriation. Explores cultural appropriation in a wide variety of contexts, among them the arts and archaeology, museums, and religion Questions whether cultural appropriation is always morally objectionable Includes research that is equally informed by empirical knowledge and general normative theory Provides a coherent and authoritative perspective gained by the collaboration of philosophers and specialists in the field who all participated in this unique research project
Odysseys Home
Odysseys Home: Mapping African-Canadian Literature is a pioneering study of African-Canadian literary creativity, laying the groundwork for future scholarly work in the field. Based on extensive excavations of archives and texts, this challenging passage through twelve essays presents a history of the literature and examines its debt to, and synthesis with, oral cultures. George Elliott Clarke identifies African-Canadian literature's distinguishing characteristics, argues for its relevance to both African Diasporic Black and Canadian Studies, and critiques several of its key creators and texts. Scholarly and sophisticated, the survey cites and interprets the works of several major African-Ca...
Minds of Our Own
This book of personal essays by over forty women and men who founded women’s studies in Canada and Québec explores feminist activism on campus in the pivotal decade of 1966-76. The essays document the emergence of women’s studies as a new way of understanding women, men, and society, and they challenge some current preconceptions about “second wave” feminist academics. The contributors explain how the intellectual and political revolution begun by small groups of academics—often young, untenured women—at universities across Canada contributed to social progress and profoundly affected the way we think, speak, behave, understand equality, and conceptualize the academy and an acad...
Between Empire and Republic
In 1837, a small group of rebels proclaimed the short-lived Republic of Canada. Between then and the Act of Confederation of 1867, colonial Canadians tried to imagine the future of their communities in North America. The choice between monarchy and republicanism shaped both colonial self-images and images of the United States; it also drove the political deliberations that eventually united the colonies of British North America into a self-governing Dominion under the British Crown. Between Empire and Republic is a thematic exploration of the political discourse embedded in the literary output of the period. Colonial authors Susanna Moodie, Th. Ch. Haliburton, and John Richardson enjoyed tra...
Evangelicals and the Continental Divide
Using data obtained from 118 in-depth interviews with evangelicals in both countries as well as a representative poll of 3,000 Canadians and 3,000 Americans, Reimer details the inner workings of the evangelical subculture and gives us an understanding of evangelical similarities and differences across the two nations.
Blues and Bliss
Blues singer, preacher, cultural critic, exile, Africadian, high modernist, spoken word artist, Canadian poet—these are but some of the voices of George Elliott Clarke. In a selection of Clarke’s best work from his early poetry to his most recent, Blues and Bliss: The Poetry of George Elliott Clarke offers readers an impressive cross-section of those voices. Jon Paul Fiorentino’s introduction focuses on this polyphony, his influences—Derek Walcott, Amiri Baraka, and the canon of literary English from Shakespeare to Yeats—and his “voice throwing,” and shows how the intersections here produce a “troubling” of language. He sketches Clarke’s primary interest in the negotiation of cultural space through adherence to and revision of tradition and on the finding of a vernacular that begins in exile, especially exile in relation to African-Canadian communities. In the afterword, Clarke, in an interesting re-spin of Fiorentino’s introduction, writes with patented gusto about how his experiences have contributed to multiple sounds and forms in his work. Decrying any grandiose notions of theory, he presents himself as primarily a songwriter.
Material Feminisms
Harnessing the energy of provocative theories generated by recent understandings of the human body, the natural world and the material world, 'Material Feminisms' presents a way for feminists to conceive of the question of materiality.
Highway of the Atom
The surprising story of the atomic bomb's origins in Canada's North.
Inventing Sam Slick
Thomas Chandler Haliburton (1796-1865) was one of pre-confederation Canada's best-known authors. His popular 'Sam Slick the Clockmaker' character was a household name not only in his home country, but also in England and the United States. Born in Windsor, Nova Scotia, Haliburton was not only a writer, but also a lawyer, judge, politician, and historian. He gained fame for his writing in 1836 with The Clockmaker: or, the Sayings and Doings of Samuel Slick of Slickville for a Halifax newspaper. It became a hit in England and was followed by six sequels. Although Haliburton tried to put Sam Slick aside and work in other genres, he found himself invariably returning to the character in his late...
You've Changed
Lesbian women who partner with female-to-male transsexuals (FTMs) are all but invisible in the literature. They have been scarcely depicted in published work, very few research studies have considered them an interesting population, and there are few support organizations dedicated to their aid. My work is about these women. I conducted research and wrote an evocative novella as a way to convey my findings. The main theme is the challenge of invisibility and marginalization experienced by lesbian women who find themselves partnered with trans men and must decide how to navigate a new identity while living with a mate who is experiencing the biggest life change possible and often has little energy left to support her. A secondary theme is the depiction of the experience of conducting such research in a cautious academic climate. The outstanding difference, other than the rarity of the subject matter, is the readability of the work. I used autoethnography as a methodology and wrote in an engaging way, using poetry, narration, and imaginative fictionalized accounts of true experiences.
