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The Complete Dramatic Works of Tang Xianzu
Tang Xianzu (1550–1616) is acclaimed as the 'Shakespeare of the East' and widely regarded as China's greatest playwright, yet his work has not reached Western readers in its entirety. The Complete Dramatic Works of Tang Xianzu represents a literary landmark: this is the first English-language collection of the revered dramatist's most important works to be made available outside China. Translated over two decades, the collection showcases the playwright's major pieces, including The Purple Flute, The Purple Hairpins, The Nanke Dream, The Handan Dream – and The Peony Pavilion. The Peony Pavilion is the playwright's most celebrated work and has drawn comparisons to Homer's Odyssey, Virgil's Aeneid, Dante's Divine Comedy and John Milton's Paradise Lost. Known for his lyrical use of metaphor, Tang Xianzu weaves the beauty of nature with the tragedy of emotion. His plays offer an extensive exploration of love, and remain at the heart of Chinese culture. This important collection represents an opportunity for a wider audience to discover the profound and poetic works of this classic playwright.
The Peony Pavilion, Second Edition
This is a complete English translation of a great love story by Tang Xianzu, perhaps the finest of the Ming dramatists. Cyril Birch and Catherine Swatek reflect upon contemporary performances of the play in light of its history.
1616: Shakespeare and Tang Xianzu's China
La 4e de couv. indique : "The year is 1616. William Shakespeare has died, and the world of the London theatres is mourning his loss. But 1616 is also to see the death of the famous Chinese playwright Tang Xianzu. Four hundred years on, and Shakespeare is now an important meeting place for Anglo-Chinese cultural dialogue in the field of drama and literary studies. SOAS, The Shakespeare Birthplace Trust and National Chung Cheng University of Taiwan have gathered together 11 Shakespearians and 11 Chinese literature experts to reflect on the theatrical climate in England and China in this significant year. This ground-breaking study presents the worlds and works of Shakespeare and Tang Xianzu, and allows them to speak compellingly to each other across the centuries."
Androgyny in Late Ming and Early Qing Literature
The frequent appearance of androgyny in Ming and Qing literature has long interested scholars of late imperial Chinese culture. A flourishing economy, widespread education, rising individualism, a prevailing hedonism--all of these had contributed to the gradual disintegration of traditional gender roles in late Ming and early Qing China (1550-1750) and given rise to the phenomenon of androgyny. Now, Zuyan Zhou sheds new light on this important period, offering a highly original and astute look at the concept of androgyny in key works of Chinese fiction and drama from the sixteenth to the eighteenth centuries. The work begins with an exploration of androgyny in Chinese philosophy and Ming-Qin...
The Eternal Present of the Past
Drawing together illustration, theater, and literature, this study examines a late Ming conception of the stage as a mystical space for temporal conflation that allowed the past to be reborn in the present and to uphold the continuity of the cultural tradition
1616: Shakespeare and Tang Xianzu's China
La 4e de couv. indique : "The year is 1616. William Shakespeare has died, and the world of the London theatres is mourning his loss. But 1616 is also to see the death of the famous Chinese playwright Tang Xianzu. Four hundred years on, and Shakespeare is now an important meeting place for Anglo-Chinese cultural dialogue in the field of drama and literary studies. SOAS, The Shakespeare Birthplace Trust and National Chung Cheng University of Taiwan have gathered together 11 Shakespearians and 11 Chinese literature experts to reflect on the theatrical climate in England and China in this significant year. This ground-breaking study presents the worlds and works of Shakespeare and Tang Xianzu, and allows them to speak compellingly to each other across the centuries."
A History of Literature in the Ming Dynasty
This book explores poems, novels, legends, operas and other genres of writing from the Ming Dynasty. It is composed of two parts: the literary history; and comprehensive reference materials based on the compilation of several chronologies. By studying individual literary works, the book analyzes the basic laws of the development of literature during the Ming Dynasty, and explores the influences of people, time, and place on literature from a sociological perspective. In turn, it conducts a contrastive analysis of Chinese and Western literature, based on similar works from the same literary genre and their creative methods. The book also investigates the relationship between literary theory and literary creation practices, including those used at various poetry schools. In closing, it studies the unique aesthetic traits of related works. Sharing valuable insights and perspectives, the book can serve as a role model for future literary history studies. It offers a unique resource for literary researchers, reference guide for students and educators, and lively read for members of the general public.
Worldly Stage
"In seventeenth-century China, as formerly disparate social spheres grew closer, the theater began to occupy an important ideological niche among traditional cultural elites, and notions of performance and spectatorship came to animate diverse aspects of literati cultural production. In this study of late-imperial Chinese theater, Sophie Volpp offers fresh readings of major texts such as Tang Xianzu’s Peony Pavilion (Mudan ting) and Kong Shangren’s Peach Blossom Fan (Taohua shan), and unveils lesser-known materials such as Wang Jide’s play The Male Queen (Nan wanghou). In doing so, Volpp sheds new light on the capacity of seventeenth-century drama to comment on the cultural politics of...
The Dreaming Mind and the End of the Ming World
From the mid-sixteenth through the end of the seventeenth century, Chinese intellectuals attended more to dreams and dreaming—and in a wider array of genres—than in any other period of Chinese history. Taking the approach of cultural history, this ambitious yet accessible work aims both to describe the most salient aspects of this “dream arc” and to explain its trajectory in time through the writings, arts, and practices of well-known thinkers, religionists, litterateurs, memoirists, painters, doctors, and political figures of late Ming and early Qing times. The volume’s encompassing thesis asserts that certain associations of dreaming, grounded in the neurophysiology of the human ...
Application of Intelligent Systems in Multi-modal Information Analytics
This book presents the proceedings of the 2019 International Conference on Intelligent Systems Applications in Multi-modal Information Analytics, held in Shenyang, China on February 19-20, 2019. It provides comprehensive coverage of the latest advances and trends in information technology, science and engineering, addressing a number of broad themes, including data mining, multi-modal informatics, agent-based and multi-agent systems for health and education informatics, which inspire the development of intelligent information technologies. The contributions cover a wide range of topics: AI applications and innovations in health and education informatics; data and knowledge management; multi-modal application management; and web/social media mining for multi-modal informatics. Outlining promising future research directions, the book is a valuable resource for students, researchers and professionals, and provides a useful reference guide for newcomers to the field.
