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God’s Mighty Acts in China In The China Chronicles, Paul Hattaway draws on more than thirty years’ experience in China and numerous interviews with church leaders to provide insight into how the Living God brought about the largest revival in the history of Christianity. Xinjiang, a vast region in northwest China, has been much in the news in recent years because of the plight of more than one million Muslim Uyghur people there. But Xinjiang also has a long Christian history. Today there are nearly one million believers, mostly among the Han Chinese, who have migrated into the region in recent decades. In this book, the sixth in the series, Hattaway focuses on the heroic efforts to reach the Uyghurs and other Muslim groups who remain largely untouched by the gospel. The China Chronicles Series: Book 1: Shandong Book 2: Guizhou Book 3: Zhejang Book 4: Tibet Book 5: Henan Book 6: Xinjiang
An important reference source for scholars and students of modern Chinese art, collectors, museums and libraries, dealers and auction houses. It includes biographical entries for approximately 800 Chinese artists who grew up or were trained in China and who are likely to be represented in collections, exhibitions, and auctions within and outside China.
This book situates the development of 20th and 21st century Chinese art in such fundamental contexts as Chinese politics and social change and is ideally suited for readers to understand the particularities of Chinese art that are distinct from Western art history. Such an approach is appropriate to the understanding of the development of modern Chinese art, which differs from both the Western approach to art history and the approach to traditional Chinese art, which is limited to the combing of ink and brush heritage and ideological traditions. Based on the scale and influence of historical works, considering the specificity of the term involving 'fine art' in China, and the scope of influence of the phenomenon of fine art in the cultural field, this book is mainly limited to the study of artistic phenomena completed by painting, sculpture, photography, video, and mixed media. The main readers of this book are: undergraduate students in art schools, graduate and doctoral students in art history; students in other humanities disciplines; experts and professors in the study of 20th century Chinese art and cultural history should be important readers of this book.
Chinese art has experienced its most profound metamorphosis since the early 1950s, transforming from humble realism to socialist realism, from revolutionary art to critical realism, then avant-garde movement, and globalized Chinese art. With a hybrid mix of Chinese philosophy, imported but revised Marxist ideology, and western humanities, Chinese artists have created an alternative approach – after a great ideological and aesthetic transition in the 1980s – toward its own contemporaneity though interacting and intertwining with the art of rest of the world. This book will investigate, from the perspective of an activist, critic, and historian who grew up prior to and participated in the great transition, and then researched and taught the subject, the evolution of Chinese art in modern and contemporary times. The volume will be a comprehensive and insightful history of the one of the most sophisticated and unparalleled artistic and cultural phenomena in the modern world.
Scholars of Daoism in the Ming dynasty (1368-1644) have paid particular attention to the interaction between the court and certain Daoist priests and to the political results of such interaction; the focus has been on either emperors or Daoist masters. Yet in the Ming era, a special group of people patronized Daoism and Daoist establishments: these were the members of the imperial clan, who were enfeoffed as as princes. By illuminating the role the Ming princes played in local religion, Richard G.W Wang demonstrates in 'The Ming Prince and Daoism' that the princedom sa served to mediate between official religious policy and the commooners' interests ... . Locally, the Ming princes played an ...
This eBook is a collection of articles from a Frontiers Research Topic. Frontiers Research Topics are very popular trademarks of the Frontiers Journals Series: they are collections of at least ten articles, all centered on a particular subject. With their unique mix of varied contributions from Original Research to Review Articles, Frontiers Research Topics unify the most influential researchers, the latest key findings and historical advances in a hot research area! Find out more on how to host your own Frontiers Research Topic or contribute to one as an author by contacting the Frontiers Editorial Office: frontiersin.org/about/contact.
Clean energy technologies are poised to play an important role in overcoming fossil fuel exhaustion and global pollution. Among these technologies, electrochemical energy storage and conversion are considered to be the most feasible, sustainable, and environmentally friendly. Proton exchange membrane (PEM) fuel cells are prime examples of electrochemical energy conversion technologies in action. Believed to be ideal sources of clean power, PEM fuel cells are replacing internal combustion and diesel engines in vehicles, as well as Pb-acid batteries and diesel generators in the emergency backup of telecommunications base stations and computer centers. Written by an industry-leading scientist, ...
Invaluable resource for anyone who wants to understand contemporary Chinese art, one of the most fascinating art scenes of the late 20th and early 21st centuries.
The need for green technologies and solutions which will deliver the energy requirements of both the developed and developing world to support sustainability and protect the environment worldwide has never been more urgent. This book contains the proceedings of the 2nd International Conference on Green Energy, Environment and Sustainable Development (GEESD2021) which, due to the COVID-19 pandemic around the world and with the strict travel restrictions in China, was held as a hybrid conference (both physically and online via Zoom) in Shanghai, China on 26 and 27 June 2021. It provided an opportunity to bring together an international community of leading scientists, researchers, engineers an...