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ભારતીય સંસ્કૃતિના ઉલ્લેખ વગર જગતની સંસ્કૃતિની ચર્ચા કરવી અસ્થાને છે, કારણ કે જગતને ‘સનાતન સત્ય’ અને ‘સનાતન ધર્મ’ આ બંને સાત્ત્વિક તત્ત્વો ભારતીય સંસ્કૃતિએ જ આપ્યાં છે. જે રીતે દરિયાની સમૃદ્ધિ નદીઓના સહયોગ વગર શક્ય નથી, એ જ રીતે મહાન વિભૂતિઓ વગર ઉત્તમ રાષ્ટ્રનું નિ...
Guidebook to Gujarat state, arranged by region.
In this fascinating biography of the Indian revolutionary M. P. T. Acharya (1887-1954), Ole Birk Laursen uncovers the remarkable transnational networks, movements and activities of India's most important anticolonial anarchist in the twentieth century. Driven by the urge for complete freedom from colonialism, authoritarianism, fascism and militarism, which are rooted in the idea and politics of the nation-state, Acharya fought for an international vision of socialism and freedom. During the tumultuous opening decades of the 1900s--marked by the globalisation of radical inter-revolutionary struggles, world wars, the rise of communism and fascism, and the growth of colonial independence moveme...
This book attempts to recover the stories of the women architects whose careers nearly parallel the development of modernism in colonial and postcolonial India. Extensively illustrated, featuring drawings and photographs, this book will be a milestone in the modernist narrative of South Asia.
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In 2012 Narendra Modi became the first Hindu nationalist politician thrice elected to lead a state of the Indian Union, his stewardship as Chief Minister of Gujarat being the longest in that state’s history. Modi and his BJP supporters explained his achievement by pointing to economic growth under his leadership, yet detractors point out that Modi has been more business-friendly than market-friendly—to the benefit of large industrial corporations, and at the cost of great social polarisation. In 2002, an anti-Muslim pogrom of unparalleled ferocity occurred in Gujarat, leading to the biggest number of Muslim deaths since Partition. The state’s Hindu majority immediately rallied around M...
India is the largest film producing country in the world and its output has a global reach. After years of marginalisation by academics in the Western world, Indian cinemas have moved from the periphery to the centre of the world cinema in a comparatively short space of time. Bringing together contributions from leading scholars in the field, this Handbook looks at the complex reasons for this remarkable journey. Combining a historical and thematic approach, the Handbook discusses how Indian cinemas need to be understood in their historical unfolding as well as their complex relationships to social, economic, cultural, political, ideological, aesthetic, technical and institutional discourses. The thematic section provides an up-to-date critical narrative on diverse topics such as audience, censorship, film distribution, film industry, diaspora, sexuality, film music and nationalism. The Handbook provides a comprehensive and cutting edge survey of Indian cinemas, discussing Popular, Parallel/New Wave and Regional cinemas as well as the spectacular rise of Bollywood. It is an invaluable resource for students and academics of South Asian Studies, Film Studies and Cultural Studies.
Argues that the passive resistance movement made famous by Gandhi was actually something Indians had been practicing well before WWI
This volume brings together scholarship on indigenous forms of travel to decolonize travel theory. It looks at certain minoritarian-vernacular traveling cults – very rarely examined – that compel us to rethink, on the one hand, the conventional tropes of and rationales for travel; and, on the other hand, notions of (post)coloniality, nationalism and modernity in the context of India. The book illustrates the enduring problematic of the ‘colonial episteme’: how it deploys pervasive categories through which travel practices are sought to be understood, and why such categories are inadequate in accounting for the vernacular traveling cults in question. In studying the vernacular world-making in and through these cults, this book offers critical insights on how they defy the log(ist)ics of the ‘imperial categories’ and why they must be read as expressions of decoloniality. An important contribution to travel studies, the book will be an indispensable resource for students and researchers of South Asian studies, travel theory, Indian literary and cultural studies, cultural history and anthropology, sociology, and decoloniality.