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Study on the Indonesian theater; collected articles previously published in several Indonesian newpapers and magazines.
Symbolic and social aspects of ketoprak, a Javanese folk play; collection of articles.
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Malay seals originate from those parts of maritime Southeast Asia long connected by political, economic, and cultural networks; the lingua franca of the Malay language; and the faith of Islam. Seals make up an important element in the manuscript and literary culture of the region. Defined as seals from Southeast Asia or used by Southeast Asians, with inscriptions in Arabic script, Malay seals constitute a treasure trove of data that can throw light on myriad aspects of the history of the Malay world, ranging from the nature of kingship, the administrative structure of states, the biographies of major personalities and the form of Islamic thought embraced, as well as on developments in the ar...
With deep interest I have followed the Indonesian people's fight for freedom and independence from 1945 onwards. This interest has come to be centred in particular on the question of how religions, especially Islam, were involved in this struggle, and what role they would fulfil in the new Indonesia. After having lived and worked in Indonesia from 1946 to the end of 1959, I was twice more enabled to yisit I ndonesia thanks to grants from the Netherlands Foundation for the Advancement of Tropical Research (WOTRO). It was during these sojourns in particular, from May to October 1966 and from February to July 1969, that the material for this study was collected, supplemented and checked. For th...
A manual addressed to students rather than to teachers or researchers, Oral History: An Introduction for Students is unique among the "how to" books in the field, adapting some of the best methods of group oral history projects to the needs of individual students. Useful in courses devoted entirely to oral history, the book also addresses the wider audience of students who may choose to do oral research in the context of otherwise traditional courses. The emphasis is on humanistic, imagininative, and intellectual challenge for students in integrating oral accounts with written documents. Only by achieving such flexibility, argues the author, can oral history fully realize its potential as a ...
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This first English edition of the satirical Indonesian novel (1991) affords an overview of the Sukarno and Suharto eras and insight into the postcolonial condition This scathingly satirical and hilarious novel, first published in Indonesia in 1991, affords both a blithely irreverent overview of Indonesian history in the Sukarno and Suharto eras, and brilliant insights into the postcolonial condition. Mangunwijaya (1929-2001) was a well-known Indonesian political activist and writer, as well as a Catholic priest, engineer, and architect. Framed by the world of ritual shadow plays - the realm of witches like Durga and the goddess Umayi - Mangunwijaya's novel gives an unblinking but remarkably compassionate account of people caught up in the great nationalist maelstrom of Indonesia's recent history.
"In my mind rose a misty picture of a little girl in a floral dress. As for her face: nothing. I could only hope that she had been pretty. I sat overcome. What a procession of developments in one day! Only that morning I had left Madiun; at midday I was wobbling on a buggy past an ocean of rice fields; tonight, suddenly, I had been renamed by my parents and handed a wife." Thus begins Sastrodarsono's life, returning to his village as a newly- appointed schoolteacher, and by virtue of that position, a member of the "priyayi" - functionary gentry awesomely elevated above the peasantry of his origins. From those most traditional of Javanese institutions - change of name and a virtually imposed ...