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An exploration of Gothic literature from its origins in Horace Walpole’s 1764 classic The Castle of Otranto, through Romantic and Victorian Gothic to modernist and postmodernist takes on the form. The volume surveys key debates such as Female Gothic, the Gothic narrator and nation and empire, and focuses on a wide range of texts including The Mysteries of Udolpho, Frankenstein, Jane Eyre, Dracula, The Magic Toyshop and The Shining.
This title presents an exploration of Gothic literature from its origins in Horace Walpole's 1764 classic 'The Castle of Otranto', through Romantic and Victorian Gothic to modernist and postmodernist takes on the form.
From Blake to Wordsworth to Woolstonecroft and Walpole, this volume in the York Notes Companions series gives an accessible introduction to Romantic literature with essential guides to themes, contexts, and literary criticism. -- Product Description.
WITH AN INTRODUCTION BY HELEN SIMPSON From familiar fairy tales and legends âe" Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves âe" Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.
This volume spans five centuries of post-Conquest literature, written at a time in which enormous social, political and linguistic changes transformed life in Britain. Medieval genres such as Arthurian romance, lyrics, dream narratives and mystery plays are brought to life and accompanied by discussions of key debates such as “Gender and Power”, “The Emergent Individual” and “Society and Class”. Bringing together historical contexts and critical theory, this is essential reading for any student of medieval literature.
This volume examines the literature and culture of 19th-century America, covering genres such as the early American novel, realist fiction and historical romance, short stories and poetry.
Gothic as a form of fiction-making has played a major role in Western culture since the late eighteenth century. In this volume, fourteen world-class experts on the Gothic provide thorough and revealing accounts of this haunting-to-horrifying type of fiction from the 1760s (the decade of The Castle of Otranto, the first so-called 'Gothic story') to the end of the twentieth century (an era haunted by filmed and computerized Gothic simulations). Along the way, these essays explore the connections of Gothic fictions to political and industrial revolutions, the realistic novel, the theatre, Romantic and post-Romantic poetry, nationalism and racism from Europe to America, colonized and post-colonial populations, the rise of film and other visual technologies, the struggles between 'high' and 'popular' culture, changing psychological attitudes towards human identity, gender and sexuality, and the obscure lines between life and death, sanity and madness. The volume also includes a chronology and guides to further reading.
Commentary; Chapter 32; Summary; Commentary; Chapter 33; Summary; Commentary; Chapter 34; Summary; Commentary; Chapter 35; Summary; Commentary; Chapter 36; Summary; Commentary; Chapter 37; Summary; Commentary; Chapter 38; Summary; Commentary; Chapter 39; Summary; Commentary; Chapter 40; Summary; Commentary; Chapter 41; Summary; Commentary; Chapter 42; Summary; Commentary; Glossary; Chapter 43; Summary; Commentary; Chapter 44; Summary; Commentary; Chapter 45; Summary; Commentary; Chapter 46; Summary; Commentary; Chapter 47; Summary; Commentary; Chapter 48; Summary; Commentary