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古墨今承六代香
This beautifully illustrated volume provides an in-depth look at some of the key works in the Wan-go H. C. Weng Collection of Chinese painting and calligraphy. Weng Tonghe (1830-1904), who gathered the greater part of the collection, was a preeminent statesman and scholar of late Qing-dynasty China, and the masterworks he collected reflect the refined taste of the scholars of his time. Weng's great-greatgrandson Wan-go H. C. Weng--the collection's current owner-- brought it to the United States for safekeeping in 1948. The fifty-one works reproduced in this catalogue, on exhibit at the Huntington in spring 2009, range from the twelfth century to the twentieth, and represent such renowned artists as Shen Zhou, Wen Zhengming, Dong Qichang, Wang Jian, Wang Hui, Wang Yuanqi, and other important painters and calligraphers. The exhibition is based on an exhibit organized by the Museum of Fine Arts, Boston, in 2007.
翁注困學紀聞
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Kun xue ji wen zhu
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Kun xue ji wen
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Transmitting Authority
Transmitting Authority investigates the rise and fall of the cultural currency of the Confucian teacher Wang Tong (ca. 584–617), a.k.a. Master Wenzhong, in the five centuries following his death, by examining the textual and social history of the Zhongshuo, which purports to record Wang Tong’s teachings. Incorporating theories and methodologies from textual criticism, the history of the book, and cultural studies, Warner reveals evidence of the Zhongshuo’s textual fluidity during the Tang and early Song dynasties, and argues that this fluidity attended the shifting terms of the Zhongshuo’s cultural value for medieval China’s literati culture. In doing so, Warner offers scholars a model for the study of other works whose textual problems and historical significance have hitherto seemed inscrutable.
Kʻun hsüeh chi wên
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Kʻun hsüeh chi wen
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