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Combining biography, history, and literary theory, this work looks at three of the most significant women writers to emerge from American radicalism of the 1930s. Le Sueur, Olsen, and Herbst were influenced by the Communist movement of the time, but each also forged an independent vision of feminist socialist literary milieu. Drawing on Marxist and post-Marxist theory, and addressing the challenge of such new feminist theorists as Jean Bethke Elshtain, Roberts takes a theoretical approach that encompasses the social vision and feminist practice of the writers and places them in their historical, cultural, and social contexts. The study covers their lives from the turn of the century to the 1970s, with an emphasis on the 1930s; examines their views of the Cold War; links the three to the Progressive tradition; and analyzes their key literary works. Resources for analysis include historical and contemporary theory; excerpts from the radical press of the 1920s and 1930s; and primary materials from the writers themselves, including journals, notes, and unpublished archival materials.
In 1970 Yung Yung arrives in New York City where it is rare to see a young Asian woman outside of Chinatown. Modern Dance icon Martha Graham has recruited Yung Yung while on a visit to Taipei where the brilliant young dancers journey begins. Yung Yung, who could not imagine life beyond the bamboo forest, is suddenly free of the political dictator Chiang Kai-shek and the backstage parents shed supported since early childhood. In this memoir, we experience the fall and resurrection of a professional dancer/choreographer who, with the help of Martha Graham and an unconventional psychotherapist Shepard Hoodwin, escapes outer and inner tyranny Mark Sackeroff (Temple University).
"The seven archetypes of Artisan, Sage, Server, Priest, Warrior, King, and Scholar have always existed in every society; and everyone belongs to one of these groups. Thousands of people around the world have used this system ... to discover their true nature and to find fulfillment"--Page 4 of cover
Biographic Memoirs: Volume 64 contains the biographies of deceased members of the National Academy of Sciences and bibliographies of their published works. Each biographical essay was written by a member of the Academy familiar with the professional career of the deceased. For historical and bibliographical purposes, these volumes are worth returning to time and again.
J. D. Salinger was an author in 1951 when he published The Catcher in the Rye. Is he one now? Was Henry Roth an author during the sixty years that separated Call It Sleep, his literary debut, from his second novel, Mercy of a Rude Stream? To show us how silence can be produced and consumed as a literary text, Myles Weber takes a provocative look at four revered authors who battled writer's block or simply ceased publishing. The careers of Tillie Olsen, Henry Roth, J. D. Salinger, and Ralph Ellison suggest that an unproductive twentieth-century author could command serious critical attention and remain a literary celebrity by offering the public volumes of silence, which became read and admir...
By focusing on the human side as well as the intellectualdimensions of how economists work and think, this collection ofinterviews with top economists of the 20th century becomes astartling and lively introduction to the modern world ofmacroeconomics. A fun read! For more information, frequent updates, and to comment on theforthcoming book, visit William A. Barnett's weblog athttp://economistmind.blogspot.com/. Acclaim for Inside the Economist's Mind "In candid interviews, these great economists prove to befabulous story tellers of their lives and times. Unendinglygripping for insiders, this book should also help non-specialistsunderstand how economists think." Professor Julio Rotemberg, Har...
Previous edition published: San Francisco, California: Zest Books, [2016] under title Votes of Confidence.
Three groundbreaking secular Jews respond with universal values to conflicts worldwide, from the Nazi Holocaust to 21 st century genocides: historian Gerda Lerner, artist Susana Wald, and global ambassador Ruth W. Messinger. Is simultaneous commitment possible to both Jewish continuity and helping non-Jewish strangers in need? Universal values drive three Jewish feminists to become public about Jewish identity because they view the purpose of Jewish life to be alleviating inequity and suffering of all people.