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The idea for Philosophy in a Time of Terror was born hours after the attacks on 9/11 and was realized just weeks later when Giovanna Borradori sat down with Jürgen Habermas and Jacques Derrida in New York City, in separate interviews, to evaluate the significance of the most destructive terrorist act ever perpetrated. This book marks an unprecedented encounter between two of the most influential thinkers of our age as here, for the first time, Habermas and Derrida overcome their mutual antagonism and agree to appear side by side. As the two philosophers disassemble and reassemble what we think we know about terrorism, they break from the familiar social and political rhetoric increasingly polarized between good and evil. In this process, we watch two of the greatest intellects of the century at work.
This is a wildly entertaining package of games, puzzles, and hilarious stories all in one innovative fold-out book. Kids are invited to explore the weird and wonderful world of J. Rathbone Fish, inventor and adventurer extraordinaire--where they'll encounter unusual monsters, bizarre machines, ghostly maps and the funniest jokes in history. Full color.
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Set in Montreal, New Tab spans a year in the life of a twenty-six year old videogame designer as he attempts to reset his life, in the process chronicling with humor disillusion, boredom, self-destruction, Facebook chats, Concordia University, bilingualism, good parties, bad parties, a backyard cinema, social anxiety and running a possibly illegal DIY venue. Written in a simple yet bold and astonishing style, New Tab is a profoundly intimate tale of self-reinvention and ambiguous relationships. A sharp, funny, modern novel from one of the most unique new writers in Canada.
Demonstrates how McLuhan extended insights derived from advances in physics and artistic experimentation into a theory of acoustic space which he then used to challenge the assumptions of visual space that had been produced through print culture.
Oedipus on the Road is a rendering of the journey that leads Oedipus from Thebes to Colonus - and from a world of exile to one of legend. This is the chapter that Sophocles never wrote, the redemptive passage of the fallen, blinded king to his final - this time glorious - encounter with destiny. Bauchau finds Oedipus stranded outside the walls of his former palace, eye sockets and soul still bleeding, and leads him - along with his daughter Antigone and the seductive shepherd-bandit Clius, whose loyalty to the pair probably has less to do with his allegiance to Oedipus than his intentions toward his daughter - through a geographical and spiritual landscape littered with the physical, artistic, and mental rites of passage that separate Oedipus from immortality.
Starting in 1970, Jean Genet—petty thief, prostitute, modernist master—spent two years in the Palestinian refugee camps in Jordan. Always an outcast himself, Genet was drawn to this displaced people, an attraction that was to prove as complicated for him as it was enduring. Prisoner of Love, written some ten years later, when many of the men Genet had known had been killed, and he himself was dying, is a beautifully observed description of that time and those men as well as a reaffirmation of the author's commitment not only to the Palestinian revolution but to rebellion itself. For Genet's most overtly political book is also his most personal—the last step in the unrepentantly sacrilegious pilgrimage first recorded in The Thief's Journal, and a searching meditation, packed with visions, ruses, and contradictions, on such life-and-death issues as the politics of the image and the seductive and treacherous character of identity. Genet's final masterpiece is a lyrical and philosophical voyage to the bloody intersection of oppression, terror, and desire at the heart of the contemporary world.
This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. At the Iliad's climax, the great Trojan hero Hektor falls at the hands of Achilles. But who is Hektor? He has resonated with audiences as a tragic hero, great warrior, loyal husband and father, protector of a doomed city. Yet never has a major work sought to discover how these different aspects of Hektor's character accumulate over the course of the narrative to create the devastating effect of his death. This book documents the experience of Hektor through the Iliad's serial narrative. Drawing on diverse tools from narratology, to cognitive science, but with a special focus on film ...