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Stages
Autobiographical reminiscences of stage and motion picture actress from India.
ZOHRA! A BIOGRAPHY IN FOUR ACTS
Description Zohra Segal (1912-2014) spanned an Indian century of the arts and became the only woman to make a mark in all the performing arts, with the exception of music, within the country and abroad. This elegant biography traces her remarkable journey. Born into a family with connections to the nawabs of Rampur, Zohra Mumtazullah Khan chose adventure over tradition when she was eighteen, travelling to Germany to learn modern dance. For the rest of her life, she continued to defy convention and was associated with transformative initiatives in the arts. In 1935, she was recruited by the bohemian genius Uday Shankar and toured the world with his dance troupe, until he disbanded it. In 1943...
Traversing Tradition
Contributed articles presented as a collaborative series initiated by World Dance Alliance, Asia Pacific Center with Jawaharlal Nehru University, School of Arts and Aesthetics.
Crossing Boundaries
To commemorate fifty years of Independence in the subcontinent it seems appropriate to cut across the borders which separate Pakistan, India and Bangladesh. This book is a collection of outstanding essays, containing 45 black and white photographs, includes contributions by authors and artists from all three countries of the subcontinent.
Zohra Segal 'Fatty'
Takes the reader through the life of Zohra, her early days, her tours, her marriage, life in London and return to Delhi, where she now lives. Her performances, both on stage and screen, have been absolutely memorable. This book is a loving tribute to Zohra. 'Zohra Segal: 'Fatty'' is the story of the talented actress, in the words of her daughter, Kiran. It takes the reader through the life of Zohra, her early days, her tours, her marriage, life in London and return to Delhi, where she now lives. Her performances, both on stage and screen, have been absolutely memorable.
Women & the Nation's Narrative
This book explores the development of nationalism in Sri Lanka during the past century, particularly within the dominant Sinhala Buddhist and militant Tamil movements. Tracing the ways women from diverse backgrounds have engaged with nationalism, Neloufer de Mel argues that gender is crucial to an understanding of nationalism and vice versa. Traversing both the colonial and postcolonial periods in Sri Lanka's history, the author assesses a range of writers, activists, political figures, and movements almost completely unknown in the West. With her rigorous, historically located analyses, de Mel makes a persuasive case for the connections between figures like actress Annie Boteju and art hist...
You Ask, I Tell
The rise to stardom and tragic fall of one of the heroines of Indian film. Hansa Wadkar (born Ratan Bhalchandra) was one of Maharashtra’s best known stage and screen personalities. By the time she was married — to a much older family friend and impresario when she was just 15 — she had already starred in nine or ten movies and was becoming a name in the film world. Supporting her family on her earnings, her brother sick with malaria, and both parents having taken to drink, life was not easy for the young woman. But Hansa was not only beautiful and immensely talented, she was tough, wilful, capricious and headstrong. Her autobiography, Sangtye Aika published in 1970 and translated into English here for the first time, created a sensation for its frankness and boldness. It was later made into a film, Bhumika, by the legendary director Shyam Benegal and starred Smita Patil in the title role. Published by Zubaan.
Performing Self/Performing Gender: Reading the lives of Women Performers in Colonial India
This book explores the shifting identity of the female performer in India, starting from the late 19th century to the early years of independence, through the study of autobiographies and memoirs. It attempts to make visible the actress figure by entering the history of performance, guided by the voice of the female performer. The discussion on performing woman in this book spans across the performing traditions of the tawaif, actresses in public theatre, early Indian film actresses, and actresses in the Indian People’s Theatre and the Prithvi Theatre.
Stardom in Contemporary Hindi Cinema
In this book, film scholars, anthropologists, and critics discuss star-making in the contemporary Hindi-language film industry in India, also known as “Bollywood.” Drawing on theories of stardom, globalization, transnationalism, gender, and new media studies, the chapters explore contemporary Hindi film celebrity. With the rise of social media and India’s increased engagement in the global economy, Hindi film stars are forging their identities not just through their on-screen images and magazine and advertising appearances, but also through an array of media platforms, product endorsements, setting fashion trends, and involvement in social causes. Focusing on some of the best-known Ind...
Uday Shankar and His Transcultural Experimentations
This monograph presents a specific experience of modernity within the context of Indian dance by looking at the transcultural journey of Indian dancer / choreographer Uday Shankar (1900b – 1977d). His popularity in Europe and America as an Oriental male dancer in the first half of the 20th century, and his worldwide recognition as the Ambassador of Indian culture, are brought into a historiographical perspective within the cultural and social reforms of early twentieth century India. By exploring his artistic journey beyond India in the period between the two world wars, and his experience of dance making, presentational technique and representation of India through various phases of his life, a path is forged to understanding the emergence of modernity in Indian dance.
