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Paleoart
Presents the history of paleoart from 1830-1990. These are not cave paintings produced thousands of years ago, but modern visions of prehistory: stunning paintings, prints, drawings, sculptures, mosaics, and murals that mingle scientific fact with unbridled fantasy
Nick Brandt
Als das dritte Kapitel von Nick Brandts globaler Serie The Day May Break visualisiert auf beeindruckende Weise die sich abzeichnende Realität, mit der viele Inselstaaten des Südpazifik konfrontiert sind. Die Menschen auf diesen Fotos, die vor der Küste der Fidschi-Inseln aufgenommen wurden, stehen stellvertretend für die Vielen, die davon bedroht sind, ihr Zuhause, ihr Land und ihre Lebensgrundlage zu verlieren, wenn das Wasser steigt. Die Bilder – alle tauchend mit der Kamera unter Wasser aufgenommen – sind von eindringlicher Schönheit. Doch über die unmittelbare visuelle Wirkung hinaus, gehen Brandts Aufnahmen tiefer: Wie sind wir an diesen Punkt gekommen? Was bringt die Zukunft für die Menschen der Pazifikinseln und anderer Küstenregionen unserer Erde? Können wir den Schaden mindern oder gar abwenden? Brandts empathische und zugleich kraftvolle Porträts verleihen dem oft abstrakten Konzept des Klimawandels Greifbarkeit und erinnern daran, dass hinter jeder Statistik über den steigenden Meeresspiegel eine menschliche Geschichte steht.
Nickelodeons and Black Vaudeville
"Amanda Thorp was a theater entrepreneur influential in bringing Black vaudeville and early movie theaters to Richmond, Virginia, and more widely to the southeastern US. Thorp, a White woman, opened theaters and nickelodeons exclusively for Black patrons during a period of entrenched segregation and outright opposition to Black patronage in the South. And though Thorp's mission was not expressly philanthropic, she nonetheless expanded access to early movies when demand for the silver screen had just begun to rival the theater business. Wong sheds light on Thorp's early life in Ohio, her travel to a culturally nascent Richmond, and her remarkable contributions to theater culture in the South"--
The Grove Encyclopedia of American Art
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
May It Please the Campus
A 2022 Green Bag Almanac & Reader Exemplary Legal Writing Honoree This is a groundbreaking study on the important and little known role that lawyers have played as leaders in higher education. The book traces the history of lawyer campus presidents from the 1700s to present, exploring dozens of topics such as: where lawyer presidents went to law school; the percentage of lawyer presidents serving at public, private, community, HBCUs, and religiously affiliated institutions; geographic concentrations of campuses led by lawyers, women lawyer presidents, pathways to the presidency for lawyers, commonalities in backgrounds, and more. The author explores reasons for an exponential increase in lawyers serving as campus leaders examining the growth of legal education and myriad legal and regulatory issues confronting higher education.
Dinosaurs at the Dinner Party
From the bestselling author of The Clockwork Universe and The Writing of the Gods, a historical adventure story about the eccentric Victorians who discovered dinosaur bones, leading to a whole new understanding of human history. In the early 1800s the world was a safe and cozy place. But then a twelve-year-old farm boy in Massachusetts stumbled on a row of fossilized three-toed footprints the size of dinner plates—the first dinosaur tracks ever found. Soon, in England, Victorians unearthed enormous bones—bones that reached as high as a man’s head. No one had ever seen such things. Outside of myths and fairy tales, no one had even imagined that creatures like three-toed giants had once ...
Artistic Representations of Suffering
Artistic expression frequently engages with the question of suffering. In so doing, it confronts the gravity and complexity of the human condition. This volume investigates the relationship between art and suffering. In short, the contributors to this volume collectively demonstrate that suffering is an undisputed and shareable motivating experience. This collection features original essays that focus on the subject of art and suffering, including topics such as the representation of violence and the intersections of art and human rights. Some of the key questions explored are as follows: How has suffering motivated artists around the world? How have artists used their platforms to call attention to human rights abuses? How can suffering be incorporated responsibly and ethically in works of art? What role does art play in the struggle against violations of human dignity and the promotion of building a more equitable world? Each essay is complemented by full-color reproductions of artistic works that illustrate the concepts being discussed, including a graphic essay on the topic of “comfort women.”
Unhomed
"In this rich cultural history, Pamela Robertson Wojcik examines America's ambivalent and shifting attitude toward homelessness through a close study of film cycles from five distinct historical moments that show characters as unhomed and placeless, mobile rather than fixed: failing, resisting, or opting out of the mandate for a home of one's own. From the tramp films of the Silent Era to the Oscar-winning Nomadland in 2021, Wojcik shows how film cycles reveal a tension in the American imaginary between viewing homelessness as, on the one hand, deviant or threatening, and, on the other, emblematic of freedom and independence. Blending social history with insights drawn from a complex array of films, both canonical and fringe, Wojcik effectively 'unhomes' dominant narratives that cast aspirations for success and social mobility as the focus of American cinema, reminding us that genres of precarity have been central to the American cinema (and American story) all along"--
The Concept of Tragedy
Events in the world today appear to be increasingly uncontrollable and unknowable. Climate change, refugee crises, and global pandemics seem to demonstrate the limits of human reason, science, and technology. In light of this, the terms "tragedy" and "tragic" have come into greater use. What does the register of the tragic do? What does its deployment in the contemporary context and other times of crisis mean? In addressing such questions, this book also argues for a "tragic vision" embedded in the history of social thought, demonstrating the relevance of the ancient tragedians and Aristotle as well as Shakespeare and modern dramatists to the most pressing questions of agency and collectivity in the social sciences. Developing a theory of "tragic social science," which is applied to topics including global inequality, celebrity culture, pandemics, and climate change, The Concept of Tragedy aims to restore "tragedy" as a productive analytic in the social sciences. As such, it will appeal to scholars of sociology, anthropology, social theory, media and communications, and literary criticism with interests in tragedy, suffering, and modernity.
Rebels, Scholars, Explorers
Unearthing the amazing hidden stories of women who changed paleontology forever. For centuries, women have played key roles in defining and developing the field of vertebrate paleontology. Yet very little is known about these important paleontologists, and the true impacts of their contributions have remained obscure. In Rebels, Scholars, Explorers, Annalisa Berta and Susan Turner celebrate the history of women "bone hunters," delving into their fascinating lives and work. At the same time, they explore how the discipline has shaped our understanding of the history of life on Earth. Berta and Turner begin by presenting readers with a review of the emergence of vertebrate paleontology as a sc...
