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Translation and Interdisciplinarity
Interdisciplinarity is significant in the age of globalization and digitalization. It creates new opportunities through comparison and analysis of different findings and methods. Furthermore, it expands the boundaries of each discipline: each topic or phenomenon can be viewed under a whole new light. Instead of conventional or traditional methods, interdisciplinary cooperation can lead to innovative approaches that can contribute to the value of each discipline involved. It also requires respect and recognition between disciplines: their independent positions could be questioned or justified based on their interrelationship. Moreover, interdisciplinary work brings together diverse experts wh...
Exploring Ottoman Sovereignty
Is it possible to identify the 'essence' of Ottoman kingship? And if so, what were the core motivating principles that governed the dynasty over its 600 year lifespan and how continuous and consistent were they? Following the death of the dynasty's eponymous founder Osman in 1324, 35 successors held the throne. Despite the wide range of character traits, dispositions and personal preferences, they led the expansion, stagnation and eventual collapse of the empire. Rhoades Murphey offers an alternative way of understanding the soul of the empire as reflected in its key ruling institution: the sultanate. For much of the period of centralized Ottoman rule between ca. 1450 and 1850 each of the dy...
Brecht, Turkish Theater, and Turkish-German Literature
Uncovers the central role of Brecht reception in Turkish theater and Turkish-German literature, examining interactions between Turkish and German writers, texts, and contexts.
Slaves and Slave Agency in the Ottoman Empire
Slaves and Slave Agency in the Ottoman Empire offers a new contribution to slavery studies relating to the Ottoman Empire. Given the fact that the classical binary of 'slavery' and 'freedom' derives from the transatlantic experience, this volume presents an alternative approach by examining the strong asymmetric relationships of dependency documented in the Ottoman Empire. A closer look at the Ottoman social order discloses manifold and ambiguous conditions involving enslavement practices, rather than a single universal pattern. The authors examine various forms of enslavement and dependency with a particular focus on agency, i. e. the room for maneuver, which the enslaved could secure for themselves, or else the available options for action in situations of extreme individual or group dependencies.
The Chief Eunuch of the Ottoman Harem
A study of the chief of the African eunuchs who guarded the sultan's harem in Istanbul under the Ottoman Empire.
A Tale of Two Factions
Winner of the 2003 Ohio Academy of History Outstanding Publication Award This revisionist study reevaluates the origins and foundation myths of the Faqaris and Qasimis, two rival factions that divided Egyptian society during the seventeenth and eighteenth centuries, when Egypt was the largest province in the Ottoman Empire. In answer to the enduring mystery surrounding the factions' origins, Jane Hathaway places their emergence within the generalized crisis that the Ottoman Empire—like much of the rest of the world—suffered during the early modern period, while uncovering a symbiosis between Ottoman Egypt and Yemen that was critical to their formation. In addition, she scrutinizes the factions' foundation myths, deconstructing their tropes and symbols to reveal their connections to much older popular narratives. Drawing on parallels from a wide array of cultures, she demonstrates with striking originality how rituals such as storytelling and public processions, as well as identifying colors and emblems, could serve to reinforce factional identity.
The Masks of Hamlet
Every reader is an actor according to Rosenberg. To prepare the actor-reader for insights, Rosenberg draws on major intepretations of the play worldwide, in theatre and in criticism, wherever possible from the first known performances to the present day. The book is rich and provocative on every question about the play.
Rapture and Revolution
The articles contained in this volume collectively provide a critical overview of Turkish literature from its earliest phases in the sixth century well into the Republican period, including pieces detailing the literature of the Ottoman as well as those dealing with Europeanization. In so doing, the author illustrates the evolution of Turkish culture as reflected in the literary experience. Exploring specific genres and themes, several articles detail the development of drama from Karagoz and Orta oyunu to contemporary Western theatre, the propaganda functions of poetry, and the important place of folk literature. In addition, the volume focuses on some of the leading figures of Turkish literature, ranging from Mevlana Celaleddin Rumi, Yunus Emre, and Süleyman the Magnificent, to Sait Faik and modern poets such as Nazim Hikmet, Orhan Veli Kanik, and Melih Cevdet Anday. Whether read as a whole or as individual articles, the book gives Western readers a broad and long overdue entry into the rich landscape of traditional and contemporary Turkish literature and culture. For scholars, it is an invaluable resource for courses on Turkish literature and culture.
Struggle and Survival under Authoritarianism in Turkey
After the Justice and Development Party (AKP) came to power in Turkey in 2002, the AKP grew into an authoritarian government as it politically and culturally oppressed citizens and institutions. In Struggle and Survival under Authoritarianism in Turkey: Theatre under Threat, Burcu Yasemin Şeybenargues thattheatre was deliberately targeted because theatre institutions and companies embodied the cultural program of the statist and Kemalist cultural policy that has continually excluded Muslims and various religious and ethnic minorities. Although the AKP claimed to be replacing the top-down, discriminatory, and secular statist and Kemalist theatre system with a facilitative and inclusive one, the AKP gradually adapted a more authoritarian system, as evidenced by their efforts to close and defund theatres, ban plays, and force theatre artists to exile. Despite the AKP’s increasing oppression, Şeybenstudies contemporary Turkish theatre to establish that a few theatre institutions, companies, and artists have managed to survive and develop democratic cultural policies and strategies that will outlive the AKP government.
