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Bio-Art
In the face of climate change, the destruction of biodiversity or genetic experimentation, Bio Art appears as a form that is most directly grappling with the problems of the »Anthropocene«. It develops many different approaches and explores a variety of mediums, often related to scientific research, creating art that uses plants, insects, mammals, bacteria, bird songs, forest sounds, or genetic modification. Bio Art's uniqueness comes from incorporating, rather than just representing the living in a diverse range of artworks. In discussing such works from various world regions and time periods, the contributors address the divide between human and non-human animals, between »culture« and »nature«.
The Beautiful Warriors
The Beautiful Warriors: Technofeminist Practice in the 21st Century brings together seven current technofeminist positions from the fields of art and activism. In very different ways, they expand the theories and practices of 1990's cyberfeminism and thus react to new forms of discrimination and exploitation. Gender politics are negotiated with reference to technology, and questions of technology are combined with questions of ecology and economy. The different positions around this new techno-eco-feminism understand their practice as an invitation to take up their social and aesthetic interventions, to join in, to continue, and never give up. Contributions from Christina Grammatikopoulou, Isabel de Sena, Femke Snelting, Cornelia Sollfrank, Spideralex, Sophie Toupin, hvale vale, Yvonne Volkart.
The Practice of Art and AI
Multidisciplinary explorations of AI and its implications for art In this multidisciplinary volume, European ARTificial Intelligence Lab, in partnership with Ars Electronica, considers the incredibly rapid development of Artificial Intelligence in the context of the cyber-arts. Bringing together 13 cultural and six scientific institutions from across Europe, this publication explores the interdisciplinary exchange between art and science and summarizes the accomplishments of the AI Lab since its opening. This guide to the events and exhibitions for this project includes more than 500 reproductions, profiles on featured exhibitors and essays. In keeping with the project's focus on the interplay between art and technology, the book includes QR codes which link the reader to video lectures and other supplementary materials. Artists and researchers include: Eva Smrekar, Eduardo Reck Miranda, Ian Gouldstone, Aarati Akkapeddi, Cecilie Waagner Falkenstrøm, Tega Brain, Sam Lavigne, Hannah Jayanti, Sarah Petkus, Mark J. Koch, Mimi Onuoha, Caroline Sinders, LaJuné McMillian, Victoria Vesna and many more.
Covert Plants
Covert Plants contributes to newly emerging discourses on the implications of vegetal life for the arts and culture. This stretches to changes in our perception of 'nature' and to the adapting roles of botany, evolutionary ecology, and environmental aesthetics in the humanities. Its editors and contributors seek various expressions of vegetal life rather than the mere representation of such, and they proceed from the conviction that a rigorous approach to thinking with and through vegetal life must be interdisciplinary. At a time when urgent calls for restorative care and reparative action have been sounded for the environment, this essay volume presents a range of academic and creative pers...
Life Is Other
Between animate and inanimate matter This book presents artistic and theoretical positions that deal with the dynamics of and points of transition between animate and inanimate matter. Following on from the exhibition Holobiont: Life Is Other (Bregenz/Vienna, 2021/2022), it explores how art, philosophy, and the technological sciences destabilize and expand the concept of living things. How do biological entities, machines, media, architectures, networks develop symbiotically in the context of biotechnological possibilities and ecological challenges? The Holobiont theory of biologist Lynn Margulis opens up new perspectives on life as a cooperative, holistic system: The "other" is not assimilated, integrated; instead it is preserved in its unavailability and peculiarity as new connections emerge. Selection of current artistic works on a/biotic processes Contextualization by contemporary theorists and artists Contributions by Bruno Clarke, Monika Bakke, Eduardo Kac, Dorion Sagan, Astrid Schrader, Paul Vanouse, and others.
Slovar novejšega besedja slovenskega jezika
Slovar novejšega besedja slovenskega jezika (SNB) predstavlja osnovno novejše leksikalno dopolnilo Slovarju slovenskega knjižnega jezika(SSKJ). Zajema 6399 novejših besed in besednih zvez, ki so se v slovenšèini pojavile ali uveljavile po letu 1991, ob tem pa tudi novejše pomene že normiranega besedja. Slovarski sestavek je oblikovan pregledno in zajema izgovarjavo, besednovrstne in druge slovniène podatke, pomensko razlago, avtentiène besedilne zglede, sinonime in etimološke osvetlitve. Pomembna novost knjige je korpusna obravnava novega, v rabi živega besedja; ta temeljni na analizi besedilnega korpusa Nova beseda. Nove besede, besedne zveze in pomeni, ki jih prinaša slovar, o...
Art as We Don't Know it
What worlds are revealed when we listen to alpacas, make photographs with yeast or use biosignals to generate autonomous virtual organisms? Bioart invites us to explore artistic practices at the intersection of art, science and society. This rapidly evolving field utilises the tools of life sciences to examine the materiality of life; the collision of human and nonhuman. Microbiology, virtual reality and robotics cross disciplinary boundaries to engage with arts as artists and scientists work together to challenge the ways in which we understand and observe the world. This book offers a stimulating and provocative exploration into worlds emerging, seen through art as we don?t know it ? yet.0...
CyberArts 2021
The award-winning works from a lively year in media art Since 1987, the Prix Ars Electronica has been one of the most prestigious prizes in media art. The jury includes experts in the fields of Computer/Film/VFX, Digital Music, Sound Art, Artificial Intelligence and Life Art.
Radical Atoms and the Alchemists of Our Time
Ars Electronica has been accompanying and analyzing the digital revolution and its manifold implications since 1979. It has consistently focused and focuses on processes and trends at the interface between art, technology, and society. This artistic-scientific research becomes visible in the form of a festival that is organized every year in Linz (Austria). Its five-day program comprises conferences, panel discussions, workshops, exhibitions, performances, interventions, and concerts. The event is planned, organized, and produced in collaboration with international artists and scientists. Each festival addresses a different volatile future issue. This year it is the “Radical Atoms and the Alchemists of the Future.” The volume uses images and texts to sketch this year’s edition of the Ars Electronica Festival. (Linz, Austria, 8.9.-12.9.2016)-- Publisher's website.
