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The Animals of Spain
An overlooked area in the burgeoning field of animal studies is explored: the way nonhuman animals in the early modern Spanish empire were valued companions, as well as economic resources. Montaigne was not alone in his appreciation of animal life.
Brutality and Benevolence
The 16th-century conquest of Mexico and its effects are best understood as cultural manifestations of animal behavior patterns which humans share with other primates. While Nahuas and Spaniards can be distinguished on the basis of learned cultural differences, such differences only exaggerated particular expressions of the universal behavioral patterns they shared. Brutality and benevolence were used in the same way by both to establish hierarchy and cultural bonding. After the conquest, a new Mexican synthesis could be constructed because of these commonalities. Alves explores the formation of that synthesis by examining such aspects of material culture as food, clothing, and shelter—especially as they manifest such universal primate tendencies as hierarchy, reciprocity, benevolence, brutality, xenophobia, curiosity, and territoriality. Alves proposes that humans are historically best understood by using current advances in the fields of primatology and ethology. This groundbreaking book will be of great interest to Latin Americanists, historians, and anthropologists.
A Plague of Sheep
Taking as a case study the sixteenth-century history of a region of highland central Mexico, this book is about the biological conquest of the New World.
Aram o armenio
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The Spanish Arcadia
The Spanish Arcadia analyzes the figure of the shepherd in the sixteenth- and seventeenth-century Spanish imaginary, exploring its centrality to the discourses on racial, cultural, and religious identity. Drawing on a wide range of documents, including theological polemics on blood purity, political treatises, manuals on animal husbandry, historiography, paintings, epic poems, and Spanish ballads, Javier Irigoyen-García argues that the figure of the shepherd takes on extraordinary importance in the reshaping of early modern Spanish identity. The Spanish Arcadia contextualizes pastoral romances within a broader framework and assesses how they inform other cultural manifestations. In doing so, Irigoyen-García provides incisive new ideas about the social and ethnocentric uses of the genre, as well as its interrelation with ideas of race, animal husbandry, and nation building in early modern Spain.
Il vecchio perdono
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