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Kingdom of Ashes
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A Time to Kill
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Riemenschneider in Rothenburg
The concept of the medieval city is fixed in the modern imagination, conjuring visions of fortified walls, towering churches, and winding streets. In Riemenschneider in Rothenburg, Katherine M. Boivin investigates how medieval urban planning and artistic programming worked together to form dynamic environments, demonstrating the agency of objects, styles, and spaces in mapping the late medieval city. Using altarpieces by the famed medieval artist Tilman Riemenschneider as touchstones for her argument, Boivin explores how artwork in Germany’s preeminent medieval city, Rothenburg ob der Tauber, deliberately propagated civic ideals. She argues that the numerous artistic pieces commissioned by...
Tilman Riemenschneider
With a catalogue of works generally accepted as by Riemenschneider and his workshop.he Würzburg sculptor and woodcarver Tilman Riemenschneider (c.1460-1531) worked within established formal traditions, yet succeeded in creating works of a kind that had never been seen before. Against common practice, he left many of his sculptures unpainted. This turned them from life-like images of saints into works of art far removed from the everyday world of the beholder. To see the intricate, supremely carved details of Riemenschneider's sculptures, the play of light and shade on their glazed wooden surfaces, and the moving expressions of the figures' faces and gestures, is as fascinating today as it must have been when they were created. With the help of 225 black and white and 55 colour illustrations, both of complete works and of details, this book gives a representative survey of the sculptures made by Riemenschneider and his workshop. The author is one of the internationally known experts on Riemenschneider.
Sculpture: The great art of the Middle Ages from the fifth century to the fifteenth century
Four volumes cover the history of sculpture from earliest times to the 20th century.
