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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ SAmtliche Werke Adolph von Knigge, Paul Raabe, Ernst-Otto Fehn KTO Press, 1873
If you are interested in the serious study of the notorious Bavarian Illuminati, Adolph Freiherr Knigge's "Philo's Reply to Questions Concerning His Association with the Illuminati" is a must-read. This book is the first full-length translation of any work by a major player of this secret and once very powerful brotherhood. Here's what you will discover in this book: - A character sketch of the order's founder, Adam Weishaupt - An outline of the Illuminati's degree system - The story of the Illuminati's rise to power - A short autobiography of one of Germany's most profound thinkers and writers: Adolph Freiherr Knigge - The story of the schism between Weishaupt and Knigge
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In this philosophically sophisticated and historically significant work, John H. Zammito reconstructs Kant's composition of The Critique of Judgment and reveals that it underwent three major transformations before publication. He shows that Kant not only made his "cognitive" turn, expanding the project from a "Critique of Taste" to a Critique of Judgment but he also made an "ethical" turn. This "ethical" turn was provoked by controversies in German philosophical and religious culture, in particular the writings of Johann Herder and the Sturm und Drang movement in art and science, as well as the related pantheism controversy. Such topicality made the Third Critique pivotal in creating a "Kant...
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This volume shows the results a cultural studies perspective on the pandemic crisis may yield in the light of the law-as-culture paradigm. The diversity of the disciplines practiced at the Kate Hamburger Kolleg "Law as Culture" as well as the internationality of its fellows and fellow campaigners contribute to directing the normative and legal analysis developed at the Kolleg towards phenomena which at the same time provide us with a unique laboratory for the "condition humaine". Featuring contributions by, among others, Martin Albrow (London), Gianmaria Ajani (Turin), Upendra Baxi (Delhi), Pierre Brunet (Paris), Marta Bucholc (Warschau/Bonn), Jacques Commaille (Paris), Maurizio Ferraris (Turin/Paris), Thomas Dreier (Karlsruhe), Alexander Filippov (Moskau), Markus Gabriel (Bonn), Mari-acarla Gadebusch-Bondio (Bonn), Peter Goodrich (New York/Abu Dhabi), Matthias Herdegen (Bonn), Richard Munch (Bamberg), Caroline Okumdi Muoghalu (Nigeria), Masahiro Noguchi (Tokio), Greta Olson (Giessen), Hamadi Redissi (Tunis), Raja Sakrani (Bonn), Joachim Savelsberg (Minneapolis), Martin Schermaier (Bonn)
Interprets an eighteenth-century musical repertoire in sociable terms, both technically (specific musical patterns) and affectively (predominant emotional registers of the music).