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The Lancaster Story
A dramatic and vividly rendered account of the most successful RAF bomber of the Second World War - the Avro Lancaster - and the lives of the men and women who flew, designed, constructed, maintained it.
The End of Modernism
Nobel laureate Elias Canetti wrote his novel Auto-da-Fe (Die Blendung) when he and the twentieth century were still quite young. Rooted in the cultural crises of the Weimar period, Auto-da-Fe first received critical acclaim abroad--in England, France, and the United States--where it continues to fascinate readers of subsequent generations. The End of Modernism places this work in its cultural and philosophical contexts, situating the novel not only in relation to Canetti's considerable body of social thought, but also within larger debates on Freud and Freudianism, misogyny and modernism's "fragmented subject," anti-Semitism and the failure of humanism, contemporary philosophy and philosophical fads, and traditionalist notions of literature and escapist conceptions of history. The End of Modernism portrays Auto-da-Fe as an exemplum of "analytic modernism," and in this sense a crucial endpoint in the progression of postwar conceptions of literary modernism.
Chrétien de Troyes and the German Middle Ages
Studies showing the influence of the French Arthurian romances of Chrétien de Troyes on German medieval literature.
The Excalibur Deception
A legendary weapon. An ancient brotherhood. A deadly deception… Adrian West and Agent Nick Harper travel to London to assist Scotland Yard in its investigation of stolen artifacts linked to a legendary king. Yet when they find themselves trailed by a mysterious pursuer, Adrian realizes the stolen artifacts are connected to a deadly, real-life weapon . . . and an ancient brotherhood intent on finding it. From the streets of London to the Celtic remnants of Europe, Adrian and Nick must solve a puzzle centuries in the making to prevent the unleashing of a deadly weapon onto millions across the globe... For fans of James Rollins and Dan Brown, start reading this fast-paced thriller now!
The Arthur of the North
The book is a comprehensive survey of medieval and early modern Arthurian literature in the Scandinavian countries The book analyses the transmission of a foreign courtly literature in the non-courtly culture of Iceland The book surveys the acculturation of foreign narrative and style to indigenous literary forms in the North
Romance and History
A wide-ranging account of the relationship between romance and history from the medieval to the early modern period.
The Tragic and the Ecstatic
Argues that Wagner's Tristan and Isolde is a musical and dramatic exposition of metaphysical ideas inspired by Schopenhauer. The book is a critical account of Tristan, in which the drama is shown to develop through the music.
The Tragic and the Ecstatic
During the years preceding the composition of Tristan and Isolde, Wagner's aesthetics underwent a momentous turnaround, principally as a result of his discovery of Schopenhauer. Many of Schopenhauer's ideas, especially those regarding music's metaphysical significance, resonated with patterns of thought that had long been central to Wagner's aesthetics, and Wagner described the entry of Schopenhauer into his life as "a gift from heaven." Chafe argues that Wagner's Tristan and Isolde is a musical and dramatic exposition of metaphysical ideas inspired by Schopenhauer. The first part of the book covers the philosophical and literary underpinnings of the story, exploring Schopenhauer's metaphysics and Gottfried van Strassburg's Tristan poem. Chafe then turns to the events in the opera, providing tonal and harmonic analyses that reinforce his interpretation of the drama. Chafe acts as an expert guide, interpreting and illustrating most important moments for his reader. Ultimately, Chafe creates a critical account of Tristan, in which the drama is shown to develop through the music.
The Medieval Presence in the Modernist Aesthetic
In The Medieval Presence in the Modernist Aesthetic: Unattended Moments, editors Simone Celine Marshall and Carole M. Cusack have brought together essays on literary Modernism that uncover medieval themes and tropes that have previously been “unattended”, that is, neglected or ignored. A historical span of a century is covered, from musical modernist Richard Wagner’s final opera Parsifal (1882) to Russell Hoban’s speculative fiction Riddley Walker (1980), and themes of Arthurian literature, scholastic philosophy, Irish legends, classical philology, dream theory, Orthodox theology and textual exegesis are brought into conversation with key Modernist writers, including T. S. Eliot, Ezra Pound, Samuel Beckett, Marcel Proust, W. B. Yeats, Evelyn Waugh and Eugene Ionesco. These scholarly investigations are original, illuminating, and often delightful.
Journal of Medieval Military History
A collection which highlights "the range and richness of scholarship on medieval warfare, military institutions, and cultures of conflict that characterize the field". History 95 [2010] The journal's hallmark of a broad chronological, geographic, and thematic coverage of the subject is underlined in this volume. It begins with an examination of the brief but fascinating career of an armed league of (mostly) commoners who fought to suppress mercenary bands and to impose a reign of peace in southern France in 1182-1184. This is followed by a thorough re-examination of Matilda of Tuscany's defeat of Henry IV in 1090-97. Two pieces on Hispanic topics - a substantial analysis of the remarkable mi...
