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Marcel Weyland's translation of poetry and prose by Polish Jewish poet Wadysaw Szlengel is a landmark in Australian publishing. It is essential in bringing to Australian readers a remarkable voice not only of witness, but also of passionate and committed cultural and spiritual resistance.
A Polish writer's experience of wartime France, a cosmopolitan outsider's perspective on politics, culture, and life under duress When the aspiring young writer Andrzej Bobkowski, a self-styled cosmopolitan Pole, found himself caught in occupied France in 1940, he recorded his reflections on culture, politics, history, and everyday life. Published after the war, his notebooks offer an outsider's perspective on the hardships and ironies of the Occupation. In the face of war, Bobkowski celebrates the value of freedom and human life through the evocation--in a daringly untragic mode--of ordinary existence, the taste of simple food, the beauty of the French countryside. Resisting intellectual abstractions, his notes exude a young man's pleasure in physical movement--miles clocked on country roads and Parisian streets on his trusty bike--and they reveal the emergence of an original literary voice. Bobkowski was recognized in his homeland as a master of modern Polish prose only after Communism ended. He remains to be discovered in the English-speaking world.
This volume focuses on the advances in the Science, Technology, Higher Education, Society in the Conceptual Age, which are a critical aspect in the design of any technological system. The ideas and practical solutions described in the book are the outcome of dedicated research by academics and practitioners aiming to advance theory and practice in this dynamic and all-encompassing discipline. This book highlight new research in different fields for which the upcoming Conceptual Age is a common point. Leading researchers will continue to provide new ideas and guidance for those involved in creating contemporary and future conditions in the field of higher education, social sciences and new technologies. Research papers formed in various areas including psychology, management, life sciences, ergonomics and higher education issues.
Anna Wierzbicka demonstrates that three uniquely English words--evidence, experience, and sense--are linchpins for whole networks of meanings, and that penetrating the meanings of such key words can open our eyes to an entire cultural universe.
A critical edition of the four Aramaic manuscripts from Qumran (4Q208-4Q211) that comprise the Aramaic Astronomical Book, part of the Jewish pseudepigraphic literature of the Second Temple period. It describes the movement of the moon in its phases, schematic meteorology, and the movement of the stars in relation to the seasons of the year.
The first critical survey of the largely unknown avant-garde movements of the former Yugoslavia.
A survivor of Auschwitz recounts his harrowing experiences, his adjustment to freedom, and his work on behalf of the Jewish cause
Do you believe in love after death? Gianluca has to admit his life is empty. His high-pressure City job, his seven-figure income, his glossy girlfriends - all have long ceased to satisfy him. His marriage is over and he barely knows his young daughters. In search of serenity and a deeper purpose to his existence, he flees to Italy, to the magical Palazzo Montelimone lovingly restored by his parents, to chill and to assess his future. But life on the sun-drenched Amalfi coast is not as peaceful as Luca anticipates. The palazzo is filled with his mother's eccentric friends and haunted by the ghosts of its murderous past. He meets a woman whose dark eyes are heavy with sorrow and a solemn little boy with an incredible secret. As he begins to unravel a mystery that has its roots in a long-ago act of violence, Luca is forced to face his greatest fear in exchange for the greatest truth.
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Through a historical analysis of Vermeer's method of production and a close reading of his art, Daniel Arasse explores the originality of this artist in the context of seventeenth-century Dutch painting. Arguing that Vermeer was not a painter in the conventional, commercial sense of his Dutch colleagues, Arasse suggests that his confrontation with painting represented a very personal and ambitious effort to define a new pictorial practice within the classical tradition of his art. By examining Vermeer's approach to image-making, the author finds that his works demonstrate the concept of painting as a medium through which the viewer senses the ungraspable and mysterious presence of life. Not ...