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Alain Jacquet
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Pop Impressions Europe/USA
Essay by Wendy Weitman.
Sigmar Polke
Sigmar Polke's thirty-five-year career, during which he has produced a vast range of work in all mediums, has earned him a reputation as one of the most significant artists of his generation. Born in 1941, he began his creative output around 1963 in Dusseldorf during a time of enormous social, cultural, and artistic changes in Germany and elsewhere. Few of his works demonstrate more vividly his imagination, sardonic wit, and subversive approach than the drawings, watercolors, and gouaches produced during the 1960s and early 1970s. Embedded in these images are incisive and parodic commentaries on consumer society, the postwar political scene in Germany, and classic artistic conventions.
Modern Art Museum of Fort Worth 110
Together they present a broad range of styles and media, from oil, acrylic, and mixed-media paintings and drawings to photography, sculpture, installation art, and video and digital imagery.".
Avant-Garde, Internationalism, and Politics
The 1960s were heady years in Argentina. Visual artists, curators, and critics sought to fuse art and politics; to broaden the definition of art to encompass happenings and assemblages; and, above all, to achieve international recognition for new, cutting-edge Argentine art. A bestseller in Argentina, Avant-Garde, Internationalism, and Politics is an examination of the 1960s as a brief historical moment when artists, institutions, and critics joined to promote an international identity for Argentina’s visual arts. The renowned Argentine art historian and critic Andrea Giunta analyzes projects specifically designed to internationalize Argentina’s art and avant-garde during the 1960s: the ...
Contemporary Artists
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Art of the 20th Century
The original edition of this ambitious reference was published in hardcover in 1998, in two oversize volumes (10x13"). This edition combines the two volumes into one; it's paperbound ("flexi-cover"--the paper has a plastic coating), smaller (8x10", and affordable for art book buyers with shallower pockets--none of whom should pass it by. The scope is encyclopedic: half the work (originally the first volume) is devoted to painting; the other half to sculpture, new media, and photography. Chapters are arranged thematically, and each page displays several examples (in color) of work under discussion. The final section, a lexicon of artists, includes a small bandw photo of each artist, as well as biographical information and details of work, writings, and exhibitions. Ruhrberg and the three other authors are veteran art historians, curators, and writers, as is editor Walther. c. Book News Inc.
Contemporary Artists
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Journey Into the Heart of Bipolarity
This is both a book on art and a psychiatric manual and at the same time it is neither. It takes a radically different approach by setting out to describe subjective viewpoints: those of works of art, those of patients and those of the reader. The aim is to achieve an understanding of the psychological world of bipolar patients through a subtle interplay of connections between the subjectivity of those three protagonists. Subjectivity also prevailed in the authors' choices: which clinical aspects of bipolarity to present, and which works of art to select. So far from setting out to be exhaustive and definitive, the book proposes a number of openings. Doctors will view these openings differen...
Pop Art
This book offers a radically new perspective on the Pop Art creative dynamic that has been around since the 1950s. The book discusses the major contributors to the Pop/Mass-Culture Art tradition right up to the present, including a number of artists who have never previously been associated with so-called Pop Art but whose work showed a strong interest in mass-culture. The book reproduces, in colour and in great detail, over 150 of the key works of the Pop/Mass-Culture Art tradition, allowing the reader to have a closer look and better understanding of these images.
