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Catalan Cinema
Catalan Cinema offers a theoretical reading of the most relevant cinematic productions to emerge from Catalonia in the last twenty years. The essays in this collection examine cinema in relation to the Escola de Barcelona (The Barcelona School), a group of cinema directors that drew inspiration from British pop-art, Free Cinema, and the Nouvelle Vague to create works that defied and challenged the Franco dictatorship. Highlighting the aesthetic, social, and political elements of Catalan cinematography, contributors to this volume explore what young directors have in common with works created by more notable directors such as Joaquim Jordà, Jacinto Esteva, Jordi Grau, and Pere Portabella. Catalan Cinema focuses on the importance of modern production and its connection with the avant-garde and underground cinema from the Barcelona School. Establishing a cinematic genealogy, the volume ultimately questions if Catalan cinema’s own push for self-expression may be interpreted as a connection to Catalonia’s current drive for independence.
El cinema amateur a Catalunya
Recorregut històric pel cinema amateur a Catalunya. El llibre repassa els elemen ts imprescindibles per resseguir la història del cinema no professional al nostr e país: les principals entitats i associacions que hi ha hagut al darrere, el re ssò internacional, els actors i les actrius que l'han protagonitzat, els concurs os i mostres més rellevants, la censura, la crítica als mitjans, la relació amb la televisió o el patrimoni fílmic.
Segundo de Chomón
Repàs a la trajectòria del pioner de la història del cinema Segundo de Chomón, t ècnic fotogràfic, inventor d'efectes especials, càmera, pintor, productor i dire ctor, al llarg de les tres primeres dècades del segle XX. Format a Barcelona i a París, Chomón contribueix a la consolidació d'un llenguatge cinematogràfic llig at a la màgia i a la fantasia. L'autor de l'obra, Joan M. Minguet Batllori, és p rofessor d'història de l'art contemporani i d'història del cinema a la Universit at Autònoma de Barcelona.
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Inside the Space Ships
What has happened to George Adamski since he wrote the famous incidents in Flying Saucers Have Landed? Since the memorable November 20, 1952, when he first made personal contact with a man from another world? Since December 13, 1952 when he was able to make photographs within 100 feet of the same saucer that had brought his original visitor? Inside The Space Ships is Adamski’s own story of what has happened to him since then. It begins with his first meeting, a few months later, with a second man from another world—his first meeting with one who speaks to him. This second visitor brings him to a Venusian Scout (flying saucer) and this, in turn, brings him to a mother ship. Later lie is c...
