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Cryers Hill
In July 1934, Walter Brown went alone to the woodland pond. He saw his girl swimming there. He watched her floating and saw how white her skin was in the green water, her belly, her breasts, her pond-tangled hair. Then she turned over like an otter and dived down. She did not come up again. In July 1969, Sean Matthews finds himself in the very same woodland, where he witnesses an event he later cannot bear to remember. Two boys, growing up in the same village thirty-five years apart, have each seen something they shouldn't. Hailed by Salman Rushie on the publication of her first novel, Pop, Cryers Hill confirms Kitty Aldridge as a writer of immense talent, possessing the rare gift of enabling us to see the world anew.
Ira Aldridge: The last years, 1855-1867
This final volume of Bernth Lindfors's definitive biography records the remarkable achievements and experiences of Ira Aldridge in the last years of his life, when he performed at theaters throughout Europe.
Becoming Ira Aldridge, a Black Shakespearean Actor in Nineteenth Century Ireland
This study throws light on a little-studied but emerging field within Irish studies: Black history. It focuses on an American-born Black Shakespearean actor, Ira Aldridge, who, to follow his vocation and escape prejudice in America, travelled to England in 1824, aged only 17. Despite some racial stereotyping, his rise to prominence in the theatrical world was meteoric. Until his premature death in 1867, he played to audiences throughout Europe—from Galway in Ireland to St Petersburg in Russia—winning plaudits and accolades, and recognition as the leading Shakespearean tragedian of the day. Aldridge was not just an actor; wherever he performed, he also delivered a message about the cruelty of enslavement and the need for Black equality. This publication focuses on Aldridge’s special relationship with Ireland and its theatrical traditions over a period of three decades.
Ira Aldridge
This book describes the "glory years" of Ira Aldridge's first Continental tour, during which he won more awards and honors, often conferred by royalty, than any other actor of his day. Ira Aldridge: Performing Shakespeare in Europe, 1852-1855, the third volume of Bernth Lindfors's award-winning biography, traces the American-born black classical actor's itinerary on his first Continental tour. Starting inBrussels and following Aldridge up the Rhine to Basel, on to Berlin and Vienna, and cities in Prussia and Hungary, Lindfors recounts the major performances and analyzes audience responses to them. Because European audiences wanted to see this "African" actor in Shakespearean roles rather tha...
