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The Stylist
Inspector Anastasia Kamenskaya of the Moscow Criminal Investigation Department in a series of psychological mysteries by ALEXANDRA MARININA.[ul]Concurrence of Circumstances [i]1993[/i]Away Game 1993Stolen Dream 1994Unwilling Killer 1995Death for Death’s Sake 1995Sixes Die First 1995Death and a Little Love 1995Black List 1995Posthumous Image 1995You Have To Pay For Everything 1995A Stranger’s Mask 1996Don’t Disturb the Executioner 1996The Stylist [i]1996[/i]Illusion of Sin 1996The Radiant Face of Death 1996Name of Victim – Nobody 1996Men’s Games 1997I Died Yesterday 1997Requiem 1998The Ghost of Music 1998[/ul][b][/b]Translated by Antonina W. Bouis All characters and events described in this book are fictional and any resemblance to actual people and events is purely coincidental.
Consuming Russia
A timely study of the "new Russia" at the end of the twentieth century.
Mit verdeckten Karten
Zwei Morde und die Zusammenarbeit mit Wirtschaftsverbrechern werden dem Kriminalbeamten Platonow zur Last gelegt. Seine Flucht kommt einem Schuldbekenntnis gleich, doch Anastasija gelingt es zu beweisen, daß nichts so ist, wie es auf den ersten Blick erscheint. (Dieser Text bezieht sich auf eine frühere Ausgabe.)
The Prose of Life
Both before and after the collapse of the Soviet Union, everyday life and the domestic sphere served as an ideological battleground, simultaneously threatening Stalinist control and challenging traditional Russian gender norms that had been shaken by the Second World War. The Prose of Life examines how six female authors employed images of daily life to depict women’s experience in Russian culture from the 1960s to the present. Byt, a term connoting both the everyday and its many petty problems, is an enduring yet neglected theme in Russian literature: its very ordinariness causes many critics to ignore it. Benjamin Sutcliffe’s study is the first sustained examination of how and why ever...
Nang Alina
None
A History of Women's Writing in Russia
A History of Women's Writing in Russia offers a comprehensive account of the lives and works of Russia's women writers. Based on original and archival research, this volume forces a re-examination of many of the traditionally held assumptions about Russian literature and women's role in the tradition. In setting about the process of reintegrating women writers into the history of Russian literature, contributors have addressed the often surprising contexts within which women's writing has been produced. Chapters reveal a flourishing literary tradition where none was thought to exist. They redraw the map defining Russia's literary periods, they look at how Russia's women writers articulated their own experience, and they reassess their relationship to the dominant male tradition. The volume is supported by extensive reference features including a bibliography and guide to writers and their works.
Kazhdyj za sebja
Каждый сам за себя, каждый одержим своим - кто безрассудной любовью, кто ненавистью, которая не дает дышать. И каждый бесконечно одинок в скорлупе собственного «я». Особенно остро переживает свое одиночество Вероника, врач, волею обстоятельств ставшая домработницей в большой, обеспеченной и сложной семье. Здесь у всех свои проблемы, свои амбиции, свои счеты друг с другом. И только ...
