Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Germans as Victims in the Literary Fiction of the Berlin Republic
An opening section on the 1950s - a decade of intense literary engagement with German victimhood before the focus shifted to German perpetration - provides context, drawing parallels but also noting differences between the immediate postwar period and today. The second section focuses on key texts written since the mid-1990s and examines shifts in perspectives on the Nazi past, on perpetration and victimhood, on "ordinary Germans," and on the balance between historical empathy and condemnation."--BOOK JACKET.
An Imaginary Racism
‘Islamophobia’ is a term that has existed since the nineteenth century. But in recent decades, argues Pascal Bruckner in his controversial new book, it has become a weapon used to silence criticism of Islam. The term allows those who brandish it in the name of Islam to ‘freeze’ the latter, making reform difficult. Whereas Christianity and Judaism have been rejuvenated over the centuries by external criticism, Islam has been shielded from critical examination and has remained impervious to change. This tendency is exacerbated by the hypocrisy of those Western defenders of Islam who, in the name of the principles of the Enlightenment, seek to muzzle its critics while at the same time d...
Frederike Helwig - Kriegskinder
"What were my parents doing when they were as old as my son is today? What made them what they are today?" These questions are examined by the photographer Frederike Helwig in her book Kriegskinder (Children of War). People who were born in the late 1930s and early 1940s, who grew up during World War II, are now in their eighth decade of life. They look back, some of them speaking for the first time ever about what marked them: bombs, fleeing, fear, hunger, illness, death, missing fathers, overwhelmed mothers--as well as the speechlessness of the post-war era, when memories of the war and its intergenerational consequences were supposed to be forgotten. The forty-five haunting portraits--all of them taken recently with an analog camera--are contrasted with the narratives of childhood experiences told by eyewitnesses. This makes Kriegskinder a portrait of a generation whose memories will soon disappear with them.Exhibition: 2.2.-8.4.2018, f3 - freiraum für fotografie, Berlin
On Being Adjacent to Historical Violence
This book offers to academic and general public readers timely reflections about our relationships to violence. Taking cues from the self-reflexivity, themes, and subject matters of Holocaust, queer, and Black studies, this large group of diverse intellectuals wrestles with questions that connect past, present and future: where do I stand in relation to violence? What is my attitude toward that adjacency? Whose story gets to be told by whom? What story do I take this image to be telling? How do I co-witness to another’s suffering? How do I honor the agency and resilience of family members or historical personages? How do past violence and injustice connect to the present? In smart, self-co...
Der lange Schatten der Täter
Das Schweigen der Täter, unbearbeitete NS-Verbrechen und Traumatisierungen durch den Zweiten Weltkrieg wirken kaum bemerkt bis heute nach. Still prägen sie als »vererbtes« Leid das Leben vieler Menschen, beschädigen Biografien und Beziehungen. Eingebettet in die aktuelle Forschung erzählt Alexandra Senffts Reise durch das Erinnern, wie das Schweigen zur Last wird. Ihr Buch stellt unbequeme Fragen gegen das Verdrängen: Weshalb wurden Täter in Opfer verkehrt, welche Rollen spielen Schuld und Scham – und gibt es so etwas wie Gerechtigkeit? Sensibel und klug zeigt dieses Buch den Nachkommen der Kriegsgeneration Wege, sich auf heilsame Weise mit ihrem Erbe auseinanderzusetzen – und macht das Erinnern zum Auftrag in der Gegenwart für die Zukunft.
Panoram
Interdisciplinary Ethical an Religious Studies for Responsible Research
White Debt
When Thomas Harding discovered that his family had profited from slavery, he set out to interrogate the choices of his ancestors and Britain's role in this terrible history. His investigation took him to Demerara (now Guyana), the site of an uprising by enslaved people in 1823, the largest in the British Empire and a key trigger in the abolition of slavery. Charting the dramatic build-up to this landmark event through the eyes of four people - an enslaved man, a missionary, a colonist, and a slaveholder - Harding lays bare the true impact of years of unimaginable cruelty and incredible courage and asks how those who benefitted from slavery can take responsibility for the White Debt.
Reckonings
A single word - "Auschwitz" - is sometimes used to encapsulate the totality of persecution and suffering involved in what we call the Holocaust. Yet focusing on a single concentration camp, however horrific the scale of crimes committed there, leaves an incomplete story, truncates a complexhistory and obscures the continuing legacies of Nazi crimes.Mary Fulbrook's encompassing book explores the lives of individuals across a full spectrum of suffering and guilt, each one capturing one small part of the greater story. Using "reckoning" in the widest possible sense to evoke how the consequences of violence have expanded almost infinitely throughtime, from early brutality through programs to eut...
German Women's Writing in the Twenty-first Century
Essays in this volume rethink conventional ways of conceptualizing female authorship and re-examine the formal, aesthetic, and thematic terms in which German women's literature has been conceived.
Not in My Family
Roger Frie explores what it means to discover his family's legacy of a Nazi past. Using the narrative of his grandfather as a starting point, he shows how the transfer of memory from one German generation to the next keeps the forbidding reality of the Holocaust at bay.
