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The 12th SS
Part two of the defining work on Hitler's elite fanatical boy soldiers continues with the survivors of the bloody fighting in France regrouping to make a final stand in the Ardennes and Hungary before Germany was overcome by the Allies. A detailed and gripping account of the most famous, and infamous, division to fight in World War II for any side.
Thematic Catalogues in Music
In 1997, twenty-five years after its first publication, Thematic Catalogues in Music-An Annotated Bibliography (Pendragon Press, 1972) appeared in a completely revised and expanded Second Edition. It contains almost twice as many entries as its predecessor; virtually every one of the original entries has been updated; and the following noteworthy features have been added.1. A second introductory essay detailing trends and innovations in thematic cataloguing brought about by the revolution in technology of the past twenty years. 2. Appendices listing thematic catalogues in series; both by national organizations and publishers; a detailed up-to-date, country-by-country report of activities wor...
Mark Lothar
None
Richard Strauss
None
Against the Panzers
Eight World War II battles are examined here from the perspective of the U.S. Army infantrymen who were facing German Panzers. The battles were chosen from those fought from August 1944 through January 1945, a time of rapid advances and intense combat. They include a variety of engagements: river crossings, defensive operations, assaults on towns, and others.
Mozart
A Stanford University Press classic.
National Union Catalog
Includes entries for maps and atlases.
The Cambridge Companion to Richard Strauss
Richard Strauss is a composer much loved among audiences throughout the world, both in the opera house and the concert hall. Despite this popularity, Strauss was for many years ignored by scholars, who considered his commercial success and his continued reliance on the tonal system to be liabilities. However, the past two decades have seen a resurgence of scholarly interest in the composer. This Companion surveys the results, focusing on the principal genres, the social and historical context, and topics perennially controversial over the last century. Chapters cover Strauss's immense operatic output, the electrifying modernism of his tone poems, and his ever-popular Lieder. Controversial topics are explored, including Strauss's relationship to the Third Reich and the sexual dimension of his works. Reintroducing the composer and his music in light of recent research, the volume shows Strauss's artistic personality to be richer and much more complicated than has been previously acknowledged.
