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Originally published in 1911 by the Bureau of American Ethnology, The Omaha Tribe is an irreplaceable classic, the collaboration of a pioneering anthropologist and a prominent Omaha ethnologist. Volume II takes up the language, social life, music, religion, warfare, healing practices, and death and burial customs of the Omahas. The first volume covered tribal origins and early history, organization and government, various beliefs and rites, and food gathering.
Alice Cunningham Fletcher was both formidable and remarkable. A pioneering ethnologist who penetrated occupations dominated by men, she was the first woman to hold an endowed chair at Harvard’s Peabody Museum of American Archaeology and Ethnology--during a time the institution did not admit female students. She helped write the Dawes General Allotment Act of 1887 that reshaped American Indian policy, and became one of the first women to serve as a federal Indian agent, working with the Omahas, the Winnebagos, and finally the Nez Perces. Charged with supervising the daunting task of resurveying, verifying, and assigning nearly 757,000 acres of the Nez Perce Reservation, Fletcher also had to...
Alice C. Fletcher (1838–1923), one of the few women who became anthropologists in the United States during the nineteenth century, was a pioneer in the practice of participant-observation ethnography. She focused her studies over many years among the Native tribes in Nebraska and South Dakota. Life among the Indians, Fletcher’s popularized autobiographical memoir written in 1886–87 about her first fieldwork among the Sioux and the Omahas during 1881–82, remained unpublished in Fletcher’s archives at the Smithsonian Institution for more than one hundred years. In it Fletcher depicts the humor and hardships of her field experiences as a middle-aged woman undertaking anthropological f...
"Music enveloped the Indian's individual and social life like an atmosphere."-Alice C. Fletcher. Anthropologist Alice C. Fletcher (1838-1923) was a pioneer in the study of Indian music. Originally published in 1900, Indian Story and Song from North America came out of her fieldwork and friendship with the Omahas (among whom she lived), Poncas, Arapahoes, and other tribes. Fletcher provides the stories behind these songs and the scores for authentic Indian melodies in native language (which is also translated into English). They run the gamut of experience, from making war to making love. Fletcher writes: "Universal use of music was because of the belief that it was a medium of communication ...
Named the 2013 Caroline Bancroft History Prize Honor Book by the Denver Public Library The Allotment Plot reexamines the history of allotment on the Nez Perce Reservation from 1889 to 1892 to account for and emphasize the Nez Perce side of the story. By including Nez Perce responses to allotment, Nicole Tonkovich argues that the assimilationist aims of allotment ultimately failed due in large part to the agency of the Nez Perce people themselves throughout the allotment process. The Nez Perce were actively involved in negotiating the terms under which allotment would proceed and were simultaneously engaged in ongoing efforts to protect their stories and other cultural properties from institu...
Excerpt from Indian Games and Dances: With Native Songs, Arranged From American Indian, Ceremonials and Sports The adaptations from Indian ceremonies and sports here offered will enable those who take part in them to follow in happy mood some of the paths of expression that were opened long ago by thoughtful men and women as they lived, worked and played on this land in undis turbed intimacy with nature. Some of the thoughts bred of this intimacy find their expression in these dances and games, and it may help toward a better understand ing of them and their spirit to tell briefly how the Indian looked upon and regarded his relation to nature. About the Publisher Forgotten Books publishes h...
One of the more complex and widespread rituals practiced by Native American groups focused on the calumet, a sacred pipe with a feathered shaft. The Calumet Ceremony was a powerful ritual through which members of another tribe were adopted. It also promoted social unity within tribes and facilitated contact and trade between them. Perhaps the most detailed description of a Calumet Ceremony was recorded near the turn of the century by ethnographer Alice C. Fletcher. Fletcher witnessed the Hako, a version of the Calumet Ceremony practiced by the Chaui clan of the Pawnee. With the invaluable assistance of Tahirussawichi, a Pawnee Ku'rahus or ceremonial leader, and renowned Indian scholar James ...
Recreates the life of the nineteenth-century American anthropologist, focusing on her efforts to improve the conditions under which the American Indians existed
"Among the Indians, music envelopes like an atmosphere every religious, tribal, and social ceremony as well as every personal experience. There is not a phase of life that does not find expression in song," wrote Alice C. Fletcher. The famous anthropologist published A Study of Omaha Indian Music in 1893. With the single exception of an 1882 dissertation, it was the first serious study ever made of American Indian music. And it was the largest collection of non-Occidental music published to date, ninety-two songs, all from a single tribe. Fletcher and Francis La Flesche, her Omaha coworker and adopted son, divided the songs into three categories: religious ones, to be sung by a certain class...