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The Whole Picture
  • Language: en
  • Pages: 288

The Whole Picture

  • Categories: Art

If you think art history has to be pale, male and stale - think again. Should museums be made to give back their marbles? Is it even possible to 'decolonise' our galleries? Must Rhodes fall? From the stolen Wakandan art in Black Panther, to Emmanuel Macron's recent commitment to art restitution, and Beyoncé and Jay Z's provocative music video filmed in the Louvre, the question of decolonising our relationship with the art around us is quickly gaining traction. People are waking up to the seedy history of the world's art collections, and are starting to ask difficult questions about what the future of museums should look like. In The Whole Picture, art historian and Uncomfortable Art Tour gu...

The Whole Picture
  • Language: en
  • Pages: 288

The Whole Picture

  • Type: Book
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  • Published: 2020-03-19
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  • Publisher: Hachette UK

"Probing, jargon-free and written with the pace of a detective story... [Procter] dissects western museum culture with such forensic fury that it might be difficult for the reader ever to view those institutions in the same way again. " Financial Times 'A smart, accessible and brilliantly structured work that encourages readers to go beyond the grand architecture of cultural institutions and see the problematic colonial histories behind them.' - Sumaya Kassim Should museums be made to give back their marbles? Is it even possible to 'decolonize' our galleries? Must Rhodes fall? How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we ...

Titanic and Liverpool
  • Language: en
  • Pages: 122

Titanic and Liverpool

If you had been behind the Titanic on that fateful night in 1912, the last word that flashed before your eyes as the great ship was lost to the sea would have been 'Liverpool'. The ship's loss, a national and international tragedy, was also a tragedy for its home port and this fascinating book explores the history and myths surrounding the sinking, highlighting for the first time new and extraordinary stories that link Europe's pre-eminent port and its most famous maritime loss. Using material from the White Star line archives, the extensive holdings of the Merseyside Maritime Museum, new illustrations and a variety of historical sources, Scarth unearths the full back story of key characters...

The Brutish Museums
  • Language: en

The Brutish Museums

  • Type: Book
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  • Published: 2020
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  • Publisher: Unknown

Walk into any European museum today and you will see the curated spoils of Empire. They sit behind plate glass: dignified, tastefully lit. Accompanying pieces of card offer a name, date and place of origin. They do not mention that the objects are all stolen. Few artefacts embody this history of rapacious and extractive colonialism better than the Benin Bronzes - a collection of thousands of metal plaques and sculptures depicting the history of the Royal Court of the Obas of Benin City, Nigeria. Pillaged during a British naval attack in 1897, the loot was passed on to Queen Victoria, the British Museum and countless private collections. 0The story of the Benin Bronzes sits at the heart of a heated debate about cultural restitution, repatriation and the decolonisation of museums. In The Brutish Museum, Dan Hicks makes a powerful case for the urgent return of such objects, as part of awider project of addressing the outstanding debt of colonialism.

For America
  • Language: en
  • Pages: 305

For America

  • Categories: Art

Featuring paintings by American icons like Winslow Homer and Thomas Eakins, this book illustrates the ways American artists have viewed themselves, their peers, and their painted worlds over 200 years.

Contemporary Art in the Middle East
  • Language: en
  • Pages: 232

Contemporary Art in the Middle East

  • Categories: Art

This is the first in the cutting-edge ARTWORLD series which opens up the most challenging and underexposed art scenes in the world, which contains a collection of essays and art works, showcasing artists from the Middle East, in a collection that defies fixed categories, shifting instead through different artistic registers according to more subtle themes.

Old Master Paintings in Soviet Museums
  • Language: en
  • Pages: 220

Old Master Paintings in Soviet Museums

  • Type: Book
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  • Published: 1991
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  • Publisher: Unknown

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Takedown
  • Language: en
  • Pages: 274

Takedown

  • Categories: Art

Farah Nayeri addresses the difficult questions plaguing the art world, from the bad habits of Old Masters, to the current grappling with identity politics. For centuries, art censorship has been a top-down phenomenon--kings, popes, and one-party states decided what was considered obscene, blasphemous, or politically deviant in art. Today, censorship can also happen from the bottom-up, thanks to calls to action from organizers and social media campaigns. Artists and artworks are routinely taken to task for their insensitivity. In this new world order, artists, critics, philanthropists, galleries and museums alike are recalibrating their efforts to increase the visibility of marginalized voice...

A Catalogue of Egyptian Cosmetic Palettes in the Manchester University Museum Collection
  • Language: en

A Catalogue of Egyptian Cosmetic Palettes in the Manchester University Museum Collection

  • Categories: Art

Following an introduction on Egypt's Predynastic Period, cosmetic palettes in general, methodology, and the origins of the Manchester Egyptian collection, this volume brings together every Predynastic cosmetic palette in the museum, providing details on type, dimensions, provenance, date and context, along with a description and bibliography. This data is then analysed according to provenance, type, date, acquisition source and context, followed by illustrations of specific graves and a full bibliography. Photographs of the palettes are then provided.

The Palgrave Encyclopedia of Victorian Women's Writing
  • Language: en
  • Pages: 1753

The Palgrave Encyclopedia of Victorian Women's Writing

Since the late twentieth century, there has been a strategic campaign to recover the impact of Victorian women writers in the field of English literature. However, with the increased understanding of the importance of interdisciplinarity in the twenty-first century, there is a need to extend this campaign beyond literary studies in order to recognise the role of women writers across the nineteenth century, a time that was intrinsically interdisciplinary in approach to scholarly writing and public intellectual engagement.