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A Penny on the Tracks
"Lyssa resents her single mother for not being home when she needs her. Her best friend, Abbey, would prefer her mother to be gone for most of the day. This provides the backdrop of their friendship and the strong bond between them. It also is the catalyst for personal discovery, sexual identity, and tragedy. As young girls, they discover a hideout in a remote area near the train tracks, and spend much of their summer days there. As they get older, the Hideout provides them a safe haven from the pressures and angst of their teenage years."--Publisher's description.
Loving Again
None
More Riffs, Rants, and Raves
Bill O'Shaughnessy's back. Here's the third big book of interviews, editorials, essays, commentaries, and observations, and just plain good talk from an authentic American voice. From the "bully pulpit" of his radio stations, O'Shaughnessy's in the middle of it all-politics, local and national; culture, high and low and in-between; the media; and, above all, the rich flow of ideas and opinion that from what the Wall Street Journal calls "the quintessential community station in America." For this compelling and fascinating collection, O'Shaughnessy gathers interviews with everyone from Tony Bennett on the singer's art to Ed Koch on the art of politics. Essays and talks from luminaries ranging...
Conrad, Language, and Narrative
In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English novel; tensions between speech and writing are the defining obsessions of his career. He sought very early on to develop a 'writing of the voice' based on oral or communal modes of storytelling. Greaney argues that the 'yarns' of his nautical raconteur Marlow are the most challenging expression of this voice-centred aesthetic. But Conrad's suspicion that words are fundamentally untrustworthy is present in everything he wrote. The political novels of his middle period represent a breakthrough from traditional storytelling into the writerly aesthetic of high modernism. Greaney offers an examination of a wide range of Conrad's work which combines recent critical approaches to language in post-structuralism with an impressive command of linguistic theory.
The Earth Observer
None
Annabel and the Boy in the Window
Annabel Baxter sneaks out of her bedroom window at night and walks the streets of her quiet suburban town, while dreaming of a different life. She peers through people's windows, eager for a glimpse of what normal family life looks like. She just wants to stay out of the way of her alcoholic father until she can get away and pursue her dreams. Unlike her friends, Annabel has little interest in marriage or having children. She desires an education and a career, but her controlling father stands in her way. He believes a woman's place is in the home. On one of her nightly walks she sees Danny Winfield through his window and is immediately captivated by him. His soothing smile and gentle demeanor give her a feeling of safety and security her own home fails to provide. Annabel now has to decide if she's going to follow the traditional path or defy the roles set for women in the 1950s and pursue her own ambitions.
Essential Skills in Family Therapy, Third Edition
"This book focuses on students, a pragmatic approach to treatment, regard for multidisciplinary perspectives, and respect for the influence of families on clients. Chapter 1 identifies concerns that new therapists frequently have, such as building confidence in their clinical work. Chapters 2-6 follow the usual time sequence of therapy--from initial contact with clients, to comprehensive assessment, to treatment planning and intervention. Chapters 7-10 deal with specific clinical situations based on presenting problems and the nature of client families. We examine major issues and approaches for working with children and adolescents, older adults, couples, and families that are struggling with serious mental illness. Chapter 11 highlights some common obstacles all therapists encounter, and provides concrete ideas on how to get unstuck when treatment is not progressing. Chapter 12 focuses on an often overlooked part of therapy--termination. In Chapter 13, we conclude the book by looking at emerging issues within family therapy"--
