Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Claude Simon
This study of Claude Simon proposes a reading of Simon's work based on the premise that his novels are as much written adventures as adventures in language. Special attention is paid to the major novels of the 1980s, The Georgics and The Acacia. Simon's development is set in the context of the intellectual and critical debates in which his novels were written and first read, from Jean Ricardou's formalism to post-structuralism, intertextuality and psychoanalytic theory.
Claude Simon
This collection of essays celebrates the work of the French Nobel prize-winning novelist Claude Simon. Scholars reconsider the fifty years of Simon's fiction in the light of his large-scale autobiographical novel, 'Le Jardin des Plantes' (1997). From a variety of perspectives - postmodernist, psychoanalytic, aesthetic - chapters reflect on the central paradox of Simon's work: his writing and rewriting of an experience of war so disruptive and traumatic that words can never be adequate to communicate it.
Claude Simon
This collection of essays celebrates the work of the French Nobel prize-winning novelist Claude Simon. Scholars reconsider the fifty years of Simon's fiction in the light of his large-scale autobiographical novel, 'Le Jardin des Plantes' (1997). From a variety of perspectives - postmodernist, psychoanalytic, aesthetic - chapters reflect on the central paradox of Simon's work: his writing and rewriting of an experience of war so disruptive and traumatic that words can never be adequate to communicate it.
Clues: A Journal of Detection, Vol. 42, No. 1 (Spring 2024)
For over two decades, Clues has included the best scholarship on mystery and detective fiction. With a combination of academic essays and nonfiction book reviews, it covers all aspects of mystery and detective fiction material in print, television and movies. As the only American scholarly journal on mystery fiction, Clues is essential reading for literature and film students and researchers; popular culture aficionados; librarians; and mystery authors, fans and critics around the globe.
William Faulkner
This collection concentrates on earlier, less accessible material on Faulkner that will complement rather than duplicate existing library collections. Vol I: General Perspectives; Memories, Recollections and Interviews; Contemporary Political Opinion Vol II: Assessments on Individual Works: from Early Writings toAs I Lay Dying Vol III: Assessments on Individual Works: fromSanctuarytoGo Down Moses and Other Stories Vol IV: Assessments on Individual Works: from the Short Stories toThe Reivers; Faulkner and the South; Faulkner and Race; Faulkner and the French.
Thresholds of Meaning
Thresholds of Meaning examines contemporary French narrative and explores two related issues: the centrality within recent French fiction and autofiction of the themes of passage, ritual and liminality; and the thematic continuity which links this work with its literary ancestors of the 1960s and 1970s. Through the close analysis of novels and récits by Pierre Bergounioux, François Bon, Marie Darrieussecq, Hélène Lenoir, Laurent Mauvignier and Jean Rouaud, Duffy demonstrates the ways in which contemporary narrative, while capitalising on the formal lessons of the nouveau roman and drawing upon a shared repertoire of motifs and themes, engages with the complex processes by which meaning is produced in the referential world and, in particular, with the rituals and codes that social man brings into play in order to negotiate the various stages of the human life-cycle. By the application of concepts and models derived from ritual theory and from visual analysis, Thresholds of Meaning situates itself at the intersection of the developing field of literature and anthropology studies and research into word and image.
Merleau-Ponty at the Gallery
A study of the significance of the visual arts in Merleau-Ponty’s aesthetics in relation to the work of five artists not known or discussed by him. Merleau-Ponty’s phenomenological ontology engages deeply with visual art, and this aspect of his work remains significant not only to philosophers, but also to artists, art theorists, and critics. Until recently, scholarly attention has been focused on the artists he himself was inspired by and wrote about, chiefly Cézanne, Klee, Matisse, and Rodin. Merleau-Ponty at the Gallery expands and shifts the focus to address a range of artists (Giorgio Morandi, Kiki Smith, Cy Twombly, Joan Mitchell, and Ellsworth Kelly) whose work came to prominence...
Cross-references
None
