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UMass Rising
In 1863, just a year after Congress enacted the Land-Grant Colleges Act, Massachusetts Agricultural College embarked on its mission to offer instruction to the state's citizens in the agricultural, mechanical, and military arts. The school boasted a faculty of 4 and a student body of 56. As UMass Amherst celebrates its sesquicentennial in 2013, its full-time faculty numbers nearly 1,200 and the combined undergraduate/graduate student population is close to 28,000. The principles that undergirded Mass Aggie's founding continue to form the basis for UMass Amherst's mission of preparing young people to make their way in life by stretching boundaries in all disciplines, from the physical and soc...
John Dee
This book presents a major reassessment of the career and cultural background of John Dee (1527-1609), one of Elizabethan England's most interesting figures. Challenging the conventional image of the isolated, eccentric philosopher, Sherman situates Dee in a fresh context, revealing that he was a well-connected adviser to the academic, courtly, and commercial circles of his day. The centerpiece of Dee's life is shown to be the massive library and museum at Mortlake, perhaps the first modern "think tank". There he lived, worked, and entertained some of the period's most influential intellectuals and politicians. Sherman discusses Dee's household arrangements, reading practices, and writings on subjects ranging from calendar reform to imperial policy. He also offers the first detailed account of the broad network of scholars and other experts who, along with Dee, operated behind the political scenes, providing textual and technological support during this time of unprecedented intellectual and global expansion.
Veteran Americans
"I may dare to speak, and I intend to speak and write what I think," wrote a New York volunteer serving in the Mexican War in 1848. Such sentiments of resistance and confrontation run throughout the literature produced by veteran Americans in the nineteenth century -- from prisoner-of-war narratives and memoirs to periodicals, adventure pamphlets, and novels. Military men and women were active participants in early American print culture, yet they struggled against civilian prejudice about their character, against shifting collective memories that removed military experience from the nation's self-definition, and against a variety of headwinds in the uneven development of antebellum print culture. In this new literary history of early American veterans, Benjamin Cooper reveals how soldiers and sailors from the Revolutionary War through the Civil War demanded, through their writing, that their value as American citizens and authors be recognized. Relying on an archive of largely understudied veteran authors, Cooper situates their perspective against a civilian monopoly in defining American citizenship and literature that endures to this day.
The Mass Production of Memory
In 1888, the Eastman Dry Plate and Film Company offered the first portable camera that allowed users to conveniently take photos, using leisure travel as a primary marketing feature to promote it. The combination of portability, ease of use, and mass advertising fed into a national trend of popular photography that drew on Americans' increasing mobility and leisure time. The Kodak Company and the first generation of tourist photographers established new standards for personal archiving that amplified the individual's role in authoring the national narrative. But not everyone had equal access to travel and tourism, and many members of the African American, Native American, and gay and lesbian...
Dark Stones
Bringing to life his countrymen's daily struggles with the sea, struggles carried out against the dark-stoned background of their homeland, novelist Dias de Melo tells the collective story of Azorean seamen at a moment of great change toward the end of the nineteenth century. Confronted with increasing economic hardship and social and political tensions, whalers faced the choice of continuing to eke out a living at home or forsaking their boats for the shores of America. This expanded Tagus Press edition features Gregory McNab's masterful 1988 translation of Dark Stones and a new introduction from Maria João Dodman. As an insider from the island of Pico, Dias de Melo writes in a realistic style that is passionate and forceful, yet tenacious, without ever losing certainty and control.
Revolutions at Home
How did we come to imagine what "ideal childhood" requires? Beginning in the late eighteenth century, German child-rearing radically transformed, and as these innovations in ideology and educational practice spread from middle-class families across European society, childhood came to be seen as a life stage critical to self-formation. This new approach was in part a process that adults imposed on youth, one that hinged on motivating children's behavior through affection and cultivating internal discipline. But this is not just a story about parents' and pedagogues' efforts to shape childhood. Offering rare glimpses of young students' diaries, letters, and marginalia, Emily C. Bruce reveals how children themselves negotiated these changes. Revolutions at Home analyzes a rich set of documents created for and by young Germans to show that children were central to reinventing their own education between 1770 and 1850. Through their reading and writing, they helped construct the modern child subject. The active child who emerged at this time was not simply a consequence of expanding literacy but, in fact, a key participant in defining modern life.
Wilder Winds
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Creating Rosie the Riveter
Examines advertisements and fiction published in the Saturday Evening Post and True Story in order to show how propaganda was used to encourage women to enter the work force.
Placing Papers
Introduction: Outside the Literary Collections Market -- Inside the Literary Collections Market -- Brand: Authors and Families -- Profit: Agents and Dealers -- Competition: Directors and Curators -- Provenance: Archivists and Digital Archivists -- Access: Scholars and the Public -- Conclusion: The Matthew Effect.
Archival Fictions
Technological innovation has long threatened the printed book, but ultimately, most digital alternatives to the codex have been onscreen replications. While a range of critics have debated the benefits and dangers of this media technology, contemporary and avant-garde writers have offered more nuanced considerations. Taking up works from Andy Warhol, Kevin Young, Don DeLillo, and Hari Kunzru, Archival Fictions considers how these writers have constructed a speculative history of media technology through formal experimentation. Although media technologies have determined the extent of what can be written, recorded, and remembered in the immediate aftermath of print's hegemony, Paul Benzon argues that literary form provides a vital means for critical engagement with the larger contours of media history. Drawing on approaches from media poetics, film studies, and the digital humanities, this interdisciplinary study demonstrates how authors who engage technology through form continue to imagine new roles for print literature across the late twentieth and early twenty-first centuries.
