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Bodies Beyond Borders
The human body in scientific and artistic representations Around 1800 anatomy as a discipline rose to scientific prominence as it undergirded the Paris-centred clinical revolution in medicine. Although classical anatomy gradually lost ground in the following centuries in favor of new disciplines based on microscopic analysis, general anatomy nevertheless remained pivotal in the teaching of medicine. Corpses, anatomical preparations, models, and drawings were used more intensively than ever before. Moreover, anatomy received new forms of public visibility. Through public exhibitions and lectures in museums and fairgrounds, anatomy became part of general education and secured a place in popula...
Descriptive Catalogue of the Anatomical and Pathological Specimens in the Museum of the Royal College of Surgeons of Edinburgh
Descriptive Catalogue of the anatomical and pathological Specimens in the Museum of the Royal College of Surgeons of Edinburgh - Vol. 1: The Skelton and Organs of Motion is an unchanged, high-quality reprint of the original edition of 1893. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Descriptive Catalogue of the Anatomical and Pathological Specimens in the Museum of the Royal College of Surgeons of Edinburgh
Hardcover reprint of the original 1893 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9". No adjustments have been made to the original text, giving readers the full antiquarian experience. For quality purposes, all text and images are printed as black and white. This item is printed on demand. Book Information: Royal College Of Surgeons Of Edinburgh. Museum. Descriptive Catalogue Of The Anatomical And Pathological Specimens In The Museum Of The Royal College Of Surgeons Of Edinburgh, Volume 1. Indiana: Repressed Publishing LLC, 2012. Original Publishing: Royal College Of Surgeons Of Edinburgh. Museum. Descriptive Catalogue Of The Anatomical And Pathological Specimens In The Museum Of The Royal College Of Surgeons Of Edinburgh, Volume 1. Edinburgh: J. Thin, 1893. Subject: Anatomy
Catalogue of the Osteological Portion of Specimens Contained in the Anatomical Museum of the University of Cambridge (1862)
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Surgical Pathological Anatomy of Head and Neck Specimens
The dissection of surgical specimens from the upper aero digestive tract is often difficult due to the anatomically complicated nature of this area. Local environ ment dictates routes of tumour spread and surgical margins at risk and these features differ for various subsites within this part of the body. Moreover, ade quate investigation of surgical specimens of the upper aero digestive tract requires knowledge of the various types of surgical procedures used for differ ent areas and should provide data that enable the surgeon to correlate preoper atively performed diagnostic imaging with the macroscopic findings obtained postoperatively. The aim of this book is to provide guidelines for th...
Performing Specimens
Through an examination of examples from performance, museum displays and popular culture that stage the body as a specimen, Performing Specimens maps the relations between these performative acts and the medical practices of collecting, storing and showing specimens in a variety of modes and contexts. Moving from an examination of the medical and historical contexts of specimen display in the museum and the anatomy theatre to contemporary performance, Gianna Bouchard engages with examples from live art, bio-art, popular culture and theatre that stage the performer's body as a specimen. It examines the ethical relationships involved in these particular moments of display – both in the stagi...
