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Everyone dies. For thousands of years, uncountable millions of corpses have been given funerals, and the living have always been faced with the problems of valedictory ceremonials for the dead and what to do with the corpses. Most of them have been buried, burnt, preserved, put in the sea, or exposed to the air. Quicklime, acids, eating and shrinking are more rare, and on the whole the overtly scientific methods go with unnatural death, so that earth, air, fire, and water are the most common agents of disposal.--pg. 9.
What are the great scientific questions of our modern age and why don't we know the answers? This volume takes on the most fascinating and pressing mysteries we have yet to crack and explains how tantalisingly close science is to solving them (or how frustratingly out of reach they remain).
Once there was a little red engine and every day at seven o''clock it came out of its shed at Taddlecombe Junction to go on his journey. Then one day, the Little Red Engine didn''t arrive. It had never been late before, whatever could have happened?'
Beschouwingen over de Britse roman na de Tweede Wereldoorlog door de Engelse auteur en recensent (geb. 1932)
A New York Times Notable Book: This memoir of a career in book publishing “should please anyone who cares about twentieth-century literature” (The Washington Post Book World). For nearly five decades, Diana Athill edited (nursed, coerced, coaxed) some of the most celebrated writers in the English language, among them V. S. Naipaul, Philip Roth, John Updike, Jean Rhys, Mordecai Richler, Molly Keane, and Norman Mailer. A founding editor of the prestigious publishing house André Deutsch Ltd., Athill takes us on a guided tour through the corridors of literary London, offering a keenly observed, devilishly funny, and always compassionate insider’s portrait of the glories and pitfalls of ma...
Falklandskrigen. Beretninger fra krigen.
The Royal Horticultural Society's The Rose tells the story of the world's favourite flower through 40 of the most popular and interesting species and hybrids. Arranged chronologically, The Rose brings to life the arrival of each flower in European gardens, detailing the history of the layout of rose gardens and the role that roses play in the 'language of flowers'. From the first recorded reference to a rose over 7,000 years ago, these extraordinary flowers have captivated botanists, artists, poets, perfumers and gardeners. A symbol of love and patriotism, a scent and flavour synonymous with the East, and the jewel in the crown of ornamental gardens, roses in all their forms bear a special meaning that spans centuries and crosses oceans. Extraordinary botanical illustrations and extracts from classic texts held in the Royal Horticultural society's world-famous Lindley Library, such as Redoute's Les Roses, Henry Andrew's Roses, Mary Lawrence's Selection of Roses and Victor Paquet's Choix des Plus Belles Roses, complete this authoritative celebration.
In the first third of the twentieth century, the publishing industry in the United Kingdom and the United States was marked by well-established and comfortable traditions pursued by family-dominated firms. The British trade was the preserve of self-satisfied men entirely certain of their superiority in the world of letters; their counterparts in North America were blissfully unaware of development and trends outside their borders. In this unique historical analysis, Richard Abel and Gordon Graham show how publishing evolved post-World War II to embrace a different, more culturally inclusive, vision.Unfortunately, even among the learned classes, only a handful clearly understood either the na...