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Seventeen-year-old Devon, her twin sister, and her friends face a demonic force who seemingly follows horror movie tropes, propelling the group to flip the script and use their horror movie knowledge in order to survive.
Situating ballet within twentieth-century modernism, this book brings complexity to the history of George Balanchine's American neoclassicism. It intervenes in the prevailing historical narrative and rebalances Balanchine's role in dance history by revealing the complex social, cultural, and political forces that actually shaped the construction of American neoclassical ballet.
The hilarious spaghetti-and-meatball style caricature art of Basil Wolverton has been a huge influence on such art luminaries as Robert Crumb, Ed "Big Daddy" Roth, Robert Williams, and Drew Friedman. This publication of represents the very first time that the work of one of comicdom's major legacies is presented in a fine art tome. The entire book is photographed in full color from the original artwork. The majority of the work has never been published before. Includes essays by Glenn Bray, Basil's son and an artist, Monte Wolverton, and art writer Doug Harvey.
The 1960s was a pivotal decade in dance, an era of intense experimentation and rich invention. In this volume an impressive range of dance critics and scholars examine the pioneering choreographers and companies of the era, such as Anna Halprin’s West Coast experiments, the innovative Judson Dance Theater, avant-garde dance subcultures in New York, the work of Meredith Monk and Kenneth King, and parallel movements in Britain. The contributors include Janice Ross, Leslie Satin, Noël Carroll, Gus Solomons jr., Deborah Jowitt, Stephanie Jordan, Joan Acocella, and Sally Banes.
Performing the Greek Crisis explores the impact of the Greek financial crisis (2009–19) on the performing arts sector in Greece, and especially on contemporary concert dance. When Greece became the first European Union member to be threatened with default, the resulting budget cuts pushed dance to develop in unprecedented directions. The book examines the repercussions that the crisis had on artists’ daily lives and experiences, weaving the personal with the political to humanize a phenomenon that, to date, had been examined chiefly through economic and statistical lenses. Informed by the author’s experience of growing up in Greece and including interviews and rich descriptions of perf...
Despite narratives of secularization, it appears that the British public persistently pay attention to clerical opinion and continually resort to popular expressions of religious faith, not least in time of war. From the throngs of men who gathered to hear the Bishop of London preach recruiting sermons during the First World War, to the attention paid to Archbishop Williams' words of conscience on Iraq, clerical rhetoric remains resonant. For the countless numbers who attended National Days of Prayer during the Second World War, and for the many who continue to find the Remembrance Day service a meaningful ritual, civil religious events provide a source of meaningful ceremony and a focus of ...
The double-edged impact of policy and education in the lives of poor women.
Exposes the mechanisms by which conservative Christianity dominated British culture during 1945-65 and their subsequent collapse.
Tales from a Teacher's Heart is a video series that tells heartwarming stories about students, schools, and teachers like you. From the lives of our authors, these true stories celebrate and explore all the ways teachers make a difference. Topics include: - the first year of teaching - teachers supporting teachers - connecting with students - and more. The Tales from a Teacher's Heart: Study Guide includes text versions of the tales, discussion questions, strategies, applications, and musings on what it means to be a teacher. Use this book for professional development, self-reflection, starting and closing meetings, and study groups.
In Ruth Page: The Woman in the Work, the Chicago ballerina emerges as a highly original choreographer who, in her art, sought the iconoclastic as she transgressed boundaries of genre, gender, race, class, and sexuality. In the process of discovering the woman in the work, the book also offers encounters with an international cast of dancers, composers, visual artists, and companies.