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Andreas Gursky
Following the 2010 exhibition at Gagosian Gallery Beverly Hills, this magnificent set of slipcased books captures the grandness and lushness of the epic photographs of Andreas Gursky, one of the world’s greatest living photographers. In these new works, Gursky demonstrates that a photographer can make or construct--rather than simply take--photographs about modern life and produce them on the scale of epic painting. Just as history painters of previous centuries found their subjects in the realities of everyday life, he seeks inspiration in his observations of the human species in the world, whether firsthand or via reports of global phenomena in the daily media. The resulting pictures hav...
Andreas Gursky
Architectural Lighting Design, Third Edition is the one source for all the technical skills, aesthetic fundamentals, and practical knowledge you need to design efficient, sustainable interior and exterior lighting for every type of building. p> Expanding on the depth and breadth of previous editions, this edition boasts more than one-quarter new material, including new discussions about sustainability, lighting details, and the assessment of manufacturers' product data.
Andreas Gursky
The first substantial monograph of Andreas Gursky's work since 1984 this series of large-format color photographs depicts vast panoramic scenes: entire cityscapes, endless horizons, multi-floored office buildings, huge factory corridors and crowded public spaces. Taken from a distance, often with a bird's eye view, they represent more than a set of photographs of various locations -- rather Gursky's work reflects both the art forms and the everyday aesthetics of 20th-century society. Many photographs are allegories, offering a cultural critique of man's role in nature, technology, art and society. Other resemble abstract paintings, in which Gursky applies a number of formal elements, such as light, composition and form, to convey a mood or subtle message. In their size and scope, in their reflective mood and social commentary, and in their many layers of meaning and interpretation, these exquisitely reproduced portraits of interior and exterior spaces display the qualities that have made Andreas Gursky one of the most respected landscape photographers of his generation.
Andreas Gursky
The exhibition includes some of the artist's most well known works including Paris, Montparnasse (1993), an immense and iconic photograph showing a seemingly endless block of flats; and Rhine II (1999/2015) a sleek digitally-tweaked vision of the river as a contemporary minimalist symbol. Kamiokande (2007) featuring the vast underground water tank within the Kamioka Nucleon Decay Experiment, Japan; and May Day IV (2000/2014) depicting hundreds of revellers at Germany's long-running Mayday techno music festival. Often employing a bird's-eye perspective, these large-format pictures which rival the scale of monumental paintings boast an abundance of precisely captured details, all of which are uncannily in focus. Since the late 1980s, Gursky has depicted a broad spectrum of contemporary life including sites of commerce, industry and tourism across the globe, making pictures that draw attention to our changing relationship with the natural world and chronicle the effects of globalisation on day-to-day life.
Andreas Gursky: Landscapes
Published on the occasion of the 2015 exhibition at the Parrish Art Museum, this new catalogue features Andreas Gursky’s stunning landscapes, including some of his most astounding works to date. Just as painters of previous centuries found their subjects in the realities of everyday life, Andreas Gursky finds inspiration in his own spontaneous visual experience and in reports of global phenomena in the daily media. The resulting pictures, depicted here in gorgeous full-color spreads, have a formal congruence deriving from a bold and edgy dialogue between photography and painting, empirical observation and artfulness, conceptual rigor and spontaneity, representation and abstraction. Parrish Art Museum director Terrie Sultan provides a perfect introduction to the twenty-plus works that span three decades of the artist’s career. Sultan highlights how Gursky’s worldview fuses the flux of life and nature with the stillness of metaphysical reflection, while at the same time situating his work within the world of landscape painting more generally.
Andreas Gursky
"Famed worldwide for his epically proportioned photographs, Andreas Gursky is one of very few contemporary artists able to represent cultures of excessive information--which he does through images of supermarket wares, crowds, trash, architecture and nature. The extreme detail of Gursky's final image--achieved by digital restructuring--produces a vertiginous effect on the viewer, as it oscillates between total representation and total abstraction. It could be said that Gursky updates the eighteenth-century sublime for our times. This publication surveys the artist's most recent creations, on display at the renowned Kunstmuseum Basel throughout the winter of 2007/2008. Two new groups of works in particular, one on Formula 1 races and the other on the famous Arirang Festival (a closely choreographed mass spectacle in North Korea's capital of Pyongyang), are gathered here."--Publisher description.
The Eye Club
The Eye Club," unofficially founded around 1975, was the nickname given to the loose conglomeration of individuals who found themselves among the first new collectors of photography. Operating purely on instinct and the love of seeing, these few dozen people (including Sam Wagstaff, Andre Jammes and other now-legendary collectors) shared a distaste for established pantheons and veered instead toward the lesser-known, the anonymous, the outri or any photograph emanating sparks of electricity. Photography was their perfect vehicle and they were startled to find themselves in so much unchartered territory. The nearly 100 surprising pictures in "The Eye Club" have been assembled in a similar spi...
WORKS 80-08
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