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This deeply personal account of emotion and vulnerability draws upon anecdotes related to individual works of art to present a chronicle of how people have shown emotion before works of art in the past.
'I lost weight and my skin changed, it cleared. But when I quit the white stuff, I also started to heal. I found wellness and the kind of energy and sparkle I had as a kid. I don't believe in diets or in making eating miserable. This plan and the recipes are designed for lasting wellness.' Sarah Wilson was a self-confessed sugar addict, eating the equivalent of twenty-five teaspoons of sugar every day, before making the link between her sugar consumption and a lifetime of mood disorders, fluctuating weight issues, sleep problems and thyroid disease. She knew she had to make a change. What started as an experiment soon became a way of life, then a campaign to alert others to the health dangers of sugar. I Quit Sugar uses Sarah's personal experience to help you: · beat the sugar habit with a tested eight week plan · overcome cravings via proven and easy tricks · find healthy sugar substitutes · cook sugar-free: over a hundred desserts, cakes, chocolate, kids' treats, snacks and easy detox meals 'Sarah's down-to-earth, practical approach makes the sugar-quitting process doable, while her recipes make it fun' - David Gillespie, author of Sweet Poison.
The Portuguese Colonial Empire established its base in Africa in the fifteenth century and would not be dissolved until 1975. This book investigates how the different populations under Portuguese rule were represented within the context of the Colonial Empire by examining the relationship between these representations and the meanings attached to the notion of ‘race’. Colour, for example, an apparently objective criterion of classification, became a synonym or near-synonym for ‘race’, a more abstract notion for which attempts were made to establish scientific credibility. Through her analysis of government documents, colonial propaganda materials and interviews, the author employs an anthropological perspective to examine how the existence of racist theories, originating in the eighteenth and nineteenth centuries, went on to inform the policy of the Estado Novo (Second Republic, 1933–1974) and the production of academic literature on ‘race’ in Portugal. This study provides insight into the relationship between the racist formulations disseminated in Portugal and the racist theories produced from the eighteenth century onward in Europe and beyond.
Presenting the latest iteration of this crucial exhibition, always a barometer of contemporary American art The 2022 Whitney Biennial is accompanied by this landmark volume. Each of the Biennial's participants is represented by a selected exhibition history, a bibliography, and imagery complemented by a personal statement or interview that foregrounds the artist's own voice. Essays by the curators and other contributors elucidate themes of the exhibition and discuss the participants. The 2022 Biennial's two curators, David Breslin and Adrienne Edwards, are known for their close collaboration with living artists. Coming after several years of seismic upheaval in and beyond the cultural, social, and political landscapes, this catalogue will offer a new take on the storied institution of the Biennial while continuing to serve--as previous editions have--as an invaluable resource on present-day trends in contemporary art in the United States.
Buku ini berisi artikel ilmiah yang mengupas tentang sejarah kertas, kajian seni dan konsep penciptaan seni, dibuat oleh 15 orang dosen yang juga seniman. Mereka berasal dari lintas PT di Indonesia yang tergabung dalam sebuah komunitas seni yaitu Garasi Seni 10 yang berbasis di Bandung. Kumpulan artikel ilmiah ini dibuat sebagai basis dan sebagai acuan dalam pengembangan ilmu pengetahuan tentang seni yang memang masih sedikit bahasannya yang ditulis oleh perempuan. Diharapkan melalui uraian serta pandangan kelima belas perempuan ini, salah satu program merdeka belajar kampus merdeka dapat terealisasi karena dari tulisan ini dapat saling terjadi alih pengetahuan (transfer knowledge) antara dosen dan mahasiswa, ataupun mahasiswa dengan mahasiswa dan juga pengalaman belajar lainnya melalui literasi ilmiah. Semoga
First multi-year cumulation covers six years: 1965-70.
This collection of articles by 14 Middle East historians is a pathbreaking work in the history of Middle Eastern women prior to the contemporary era. The collection seeks to begin the task of reconstructing the history of (Muslim) women's experience in the middle centuries of the Ottoman era, between the mid-seventeenth century and the early nineteenth, prior to hegemonic European involvement in the region and prior to the "modernizing reforms' inaugurated by the Ottoman regime.