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Embodied Communication in Humans and Machines
Communication is not just about the transfer of verbal information. Gestures, facial expressions, intonation and body language are all major sources of information during conversation. This book presents a new perspective on communication, one that will help us to better understand humans, and also to build machines that can communicate.
Riots in Literature
Riots in Literature addresses representations of crowd disorder as manifestations of popular politics, including colonial and postcolonial contexts. The terms used to describe disorder are themselves, of course, contested. Words like “mob,” “demonstration” and “protest,” not to mention “riot’ itself, denote a particular perspective based on an elitist taxonomy for dealing with social and cultural phenomena in society. Of primary concern is the way in which the text describes and designates crowd behaviour using the language of denigration, metaphors of the primitive and animalistic, brutal images, and silences, and where the mediation of the event is expressed in terms of the...
Philosophy of Linguistics
Philosophy of Linguistics investigates the foundational concepts and methods of linguistics, the scientific study of human language. This groundbreaking collection, the most thorough treatment of the philosophy of linguistics ever published, brings together philosophers, scientists and historians to map out both the foundational assumptions set during the second half of the last century and the unfolding shifts in perspective in which more functionalist perspectives are explored. The opening chapter lays out the philosophical background in preparation for the papers that follow, which demonstrate the shift in the perspective of linguistics study through discussions of syntax, semantics, phon...
The Complexity of Compound Figures of Speech
Dive into the intricate world of compound figures of speech with this groundbreaking volume. Exploring hyperbolic metaphor, hyperbolic irony, and ironic metaphor, this book delves into the complexities of these expressions, revealing its nuanced meanings driven by contextual factors. Through thought-provoking research questions, readers uncover the logical, psychological, and temporal order of interpretation behind these compound figures. Proposing a complexity theory paradigm, the book offers a fresh perspective on their analysis, arguing for a context-dependent approach. Drawing on experimental evidence involving 155 participants, it demonstrates how factors such as language proficiency and sociocultural knowledge influence the cognitive complexity of compound figures. With insights into the flexible nature of interpretation and the interplay of contextual attractors and salience, this book reshapes our understanding of figurative language. The book paves the way for further exploration into the rich tapestry of compound figures and their impact on communication.
Rightward Movement in a Comparative Perspective
This book represents the state of the art on rightward movement in one thematically coherent volume. It documents the growing importance of the combination of empirical and theoretical work in linguistic analysis. Several contributions argue that rightward movement is a means of reducing phonological or structural complexity. The inclusion of corpus data and psycholinguistic results confirms the Right Roof Constraint as a characteristic property of extraposition and argues for a reduced role of subsentential bounding nodes. The contributions also show that the phenomenon cannot be looked at from one module of grammar alone, but calls for an interaction of syntax, semantics, phonology, and discourse. The discussion of different languages such as English, German, Dutch, Italian, Italian Sign Language, Modern Greek, Uyghur, and Khalkha enhances our understanding of the complexity of the phenomenon. Finally, the analytic options of different frameworks are explored. The volume is of interest to students and researchers of syntax, semantics, psycholinguistics, and corpus linguistics.
Producing Figurative Expression
This collection contains a selection of recent work on people’s production of figurative language (metaphoric, ironic, metonymic, hyperbolic, ...) and similarly of figurative expression in visual media and artefact design. The articles illuminate issues such as why and under what circumstances people produce figurative expression and how it is moulded by their aims. By focusing on production, the intention is to help stimulate more academic research on it and redress historically lower levels of published work on generation than on understanding of figurative expression. The contributions stretch across various academic disciplines—mainly psychology, cognitive linguistics and applied lin...
Interdisciplinary Studies in Pragmatics, Culture and Society
This volume is part of the series ‘Pragmatics, Philosophy and Psychology’, edited for Springer by Alessandro Capone. It is intended for an audience of undergraduate and graduate students, as well as postgraduate and advanced researchers. This volume focuses on societal pragmatics. One of the main concerns of societal pragmatics is the world of language users. We are interested in the investigation of linguistic practices in the context of societal practices (‘praxis’, to use a term used in the Wittgensteinian and other traditions). It is clear that the world of users, including their practices, their culture, and their social aims has to be taken into account and seriously investigat...
How the Brain Got Language
Unlike any other species, humans can learn and use language. This book explains how the brain evolved to make language possible, through what Michael Arbib calls the Mirror System Hypothesis. Because of mirror neurons, monkeys, chimps, and humans can learn by imitation, but only "complex imitation," which humans exhibit, is powerful enough to support the breakthrough to language. This theory provides a path from the openness of manual gesture, which we share with nonhuman primates, through the complex imitation of manual skills, pantomime, protosign (communication based on conventionalized manual gestures), and finally to protospeech. The theory explains why we humans are as capable of learn...
The Bloomsbury Handbook of Language Learning and Technology
This handbook draws together international perspectives on technology and its application to language teaching and learning, written and edited by leading scholars in the field. It meets the increasing demand for pedagogically-informed online language instruction, which is particularly important in the context of the effects that the Covid-19 pandemic has had on the education sector on a global scale, as well as exploring language learning in informal and non-formal contexts. With contributions from5 continents and over 20 countries, including Australia, Canada, Cyprus, Denmark, Finland, France, Greece, Ireland, Japan, Spain, Sweden, the Netherlands, the UK and the USA, the book offers a thorough overview of the main influential theories and explores technology tools, approaches to research, and applications to practice. Carefully curated, this is an innovative and exciting volume for students, teachers, researchers and lecturers in language education.
The Diversity of Irony
Although the figure of irony has enjoyed extensive attention through important contributions to the diverse literatures addressing figurative thought and language, it still remains relatively in the background compared to other figures such as metaphor and metonymy. The present volume, together with a 2017 collection by Angeliki Athanasiadou and Herbert L. Colston, aims to the further exploration of verbal and situational irony, its gestural accompaniments, its comprehension and interpretation, its constructional diversity and its cooperation with other figures such as metaphor and hyperbole. The present volume is a highly interesting collection of chapters dealing with both theoretical investigations and descriptive applications of a central figure pervading human thought and language. Its aim is to draw more attention to irony’s diversity and its concomitant connections to other aspects of figurativeness.
